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The Project Gutenberg EBook of The Orchestral Conductor, by Hector Berlioz This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Orchestral Conductor Theory of His Art Author: Hector Berlioz Release Date: December 28, 2008 [EBook #27646] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ORCHESTRAL CONDUCTOR *** Produced by David Newman, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net [ Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible; changes (corrections of spelling and punctuation) made to the original text are listed at the end of this file. ] THE Orchestral Conductor THEORY OF HIS ART BY HECTOR BERLIOZ. NEW YORK PUBLISHED BY CARL FISCHER 6-10 Fourth Ave., Cooper Square. Copyright, 1902, By Carl Fischer. THE ORCHESTRAL CONDUCTOR. THEORY OF HIS ART. BY HECTOR BERLIOZ. Music appears to be the most exacting of all the Arts, the cultivation of which presents the greatest difficulties, for a consummate interpretation of a musical work so as to permit an appreciation of its real value, a clear view of its physiognomy, or discernment of its real meaning and true character, is only achieved in relatively few cases. Of creative artists, the composer is almost the only one who is dependent upon a multitude of intermediate agents between the public and himself; intermediate agents, either intelligent or stupid, devoted or hostile, active or inert, capable--from first to last--of contributing to the brilliancy of his work, or of disfiguring it, misrepresenting it, and even destroying it completely. Singers have often been accused of forming the most dangerous of these intermediate agents; but in my opinion, without justice. The most formidable, to my thinking, is the conductor of the orche
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