ds_ particularly is a most dramatic novel of conditions
and results similar to those in some of the dramas mentioned
above. Many of his sketches and essays also--for example, "My
Distant Relative" in _The Inn of Tranquillity_ and "Comfort" in
_A Commentary_--are of biting and almost cynical irony in viewing
proposed and present solutions of problems; but none suggest
panaceas. They merely make us think soberly of the size of our
problems and their immense complexity, move us to go out to look
for more information and to examine carefully our most solid
institutions as well as suggested alterations in them.
A large part of Mr. Galsworthy's time and thought, both during
the war and since, has been given to the problem of some measure
of justice to soldiers, and particularly to wounded and broken
soldiers. In _A Sheaf_ and _Another Sheaf_ appear various papers
presenting sharply the conditions of suffering and neglect that
actually exist. _The Sun_ is a brief sketch of after-war
days,--this time of a wounded man who has gained an advantage
over one who escaped injury,--and of joy in deliverance from the
hell of war--a joy so profound and luminous that the released
soldier cannot let a sharp mischance and disappointment mar his
happiness. The whole piece is in the key of Captain Bassoon's
verses after the Armistice:--
"Every one suddenly burst out singing."
The other two think the happy soldier mad. We are left wondering
what the reaction will be from this height of joyful release to
the harsh and sombre conditions of workingmen's life after the
peace.
The _silver badge_ represents a discharge for wounds. _Crumps_
are, of course, shells.
_Louise Sounders_: THE KNAVE OF HEARTS
_The Knave of Hearts_ is one of the happy tradition of
puppet-plays, which come down in unbroken line from the most
ancient history, through the illustrious Dr. Faustus and Mr.
Punch, to new and even greater favor and fame to-day. For just as
the ancient puppet-shows of Italy and England seemed to be losing
ground before the moving-picture invasion, they have been
heroically rescued by Mr. Tony Sarg,--whose performance of
Thackeray's _The Rose and the Ring_ is perfectly absurd and
captivating,--and by other excellent artists.
Puppet-shows are delightful because they are easily made and
quite convincing. Very good ones have been improvised even by
tiny children, with a pasteboard suit-box opening to the front, a
slit at the top to
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