nny Segal's self-sacrifice for her sister and
lover is carried to a strange and morbid extreme.

In _Six Plays of the Yiddish Theatre_, Luce.

+Graham Pryce+

THE COMING OF FAIR ANNIE: A simple but effective dramatization of
the old ballad.

Gowans and Gray.

+Richard Pryce and Arthur Morrison+

THE DUMB CAKE: A St. Agnes' Eve story in a London slum.

French.

+Serafin and Joaquim Quintero+

A SUNNY MOHNING: Two very old people recall the tremendously
romantic happenings of their early youth.

In _Fifty Contemporary One-Act Plays_, Stewart and Kidd.

+Edwin Arlington Robinson+

VAN ZORN: A play of New York studio life in which Van Zorn puts
his own desires out of court and plays providence in the lives of
his friends.

Macmillan.

+Santiago Rosinol+

THE PRODIGAL DOLL: A comical marionette sows his wild oats most
violently and repents in deep sorrow.

In _Drama_, February, 1917, 5:15.

+Edmond Rostand+

CYRANO DE BERGERAC: A great play of a swashbuckling hero of the
Paris of Moliere's time.

Doubleday; also in Dickinson's Contemporary Dramatists, I,
Houghton Mifflin.

L'AIGLON: The tragic story of Napoleon's son, the little King of
Rome, captive among enemies determined to tame his spirit.

Harper.

THE PRINCESS FAR-AWAY: The story of the Troubadour Rudel and the
Princess of Tripoli, celebrated in one of Browning's poems,
represents all worship of what is beyond attainment.

Stokes.

THE ROMANCERS: The foolish and romantic notions of two lovers are
ably caricatured by their fathers' plots and stratagems.

Baker, 1906.

+Arthur Schnitzler+

LAST MASKS: A dying man in the Vienna Hospital contrives an
opportunity for the cruel stroke he has intended at a man who has
succeeded where he himself has failed; at the moment of possible
triumph a different mood controls him. There are three excellent
studies of character in the play.

In _Anatol and Other Plays_, Boni and Liveright.

+George Bernard Shaw+

ANDROCLES AND THE LION: The old story of a saint whom the lion
remembered as his friend--with much shrewd light upon certain
types of early Christians.

Constable.

CAESAR AND CLEOPATRA: New views of the chief characters,
introduced by two interesting scenes--of a garrison in Syria by
night and of Cleopatra in the arms of the Sphinx.

In _Three Plays for Puritans_, Constable.

THE MAN OF DESTINY: Napoleon after Lodi, attacking all courses of
his dinner simultan