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The Project Gutenberg eBook, A Study of Shakespeare, by Algernon Charles Swinburne, Edited by Edmund Gosse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Study of Shakespeare Author: Algernon Charles Swinburne Editor: Edmund Gosse Release Date: August 1, 2005 [eBook #16412] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK A STUDY OF SHAKESPEARE*** This eBook was prepared by Les Bowler. A STUDY OF SHAKESPEARE BY ALGERNON CHARLES SWINBURNE. PREFACE TO THIS EDITION Begun in the winter of 1874, a first instalment of "A Study of Shakespeare" appeared in the _Fortnightly Review_ for May 1875, and a second in the number for June 1876, but the completed work was not issued in book form until June 1880. In a letter to me (January 31, 1875), Swinburne said: "I am now at work on my long-designed essay or study on the metrical progress or development of Shakespeare, as traceable by ear and _not_ by finger, and the general changes of tone and stages of mind expressed or involved in this change or progress of style." The book was produced at the moment when controversy with regard to the internal evidence of composition in the writings attributed to Shakespeare was raging high, and the amusing appendices were added at the last moment that they might infuriate the pedants of the New Shakespeare Society. They amply fulfilled that amiable purpose. EDMUND GOSSE September 1918 CONTENTS A STUDY OF SHAKESPEARE I. FIRST PERIOD: LYRIC AND FANTASTIC II. SECOND PERIOD: COMIC AND HISTORIC III. THIRD PERIOD: TRAGIC AND ROMANTIC APPENDIX I. NOTE ON THE HISTORICAL PLAY OF KING EDWARD III. II. REPORT OF THE PROCEEDINGS ON THIS FIRST ANNIVERSARY SESSION OF THE NEWEST SHAKESPEARE SOCIETY III. ADDITIONS AND CORRECTIONS A STUDY OF SHAKESPEARE. I. The greatest poet of our age has drawn a parallel of elaborate eloquence between Shakespeare and the sea; and the likeness holds good in many points of less significance than those which have been set down by the master
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