d his limitations, even if this had been his object. But there was
no symptom, except that of panic, to justify the assertion that he
ever intended to include war on the United Kingdom in his policy.
There never was a truer statement made by the Emperor than "C'est avec
des hochets qu'on mene les hommes"; which is, "Men are led by
trifles." Hence we went to war with him, and the result of it is that
the race that he mistrusted most and saw the necessity of keeping
severely within limits has risen up against civilization and created a
world-war into which we and our Allies have been obliged to enter in
self-defence. That is the inevitable penalty we are having to pay for
the action we took in helping the Germans to destroy France. I know it
is asserted it was not France but Napoleon whose power they aimed at
breaking, but the one could not be broken without the other.
FOOTNOTES:
[19] There are many conflicting accounts of Napoleon's part in the
arrest, trial, and his intention of pardoning the Duc d'Enghien. It
has been stated that he gave Murat his word that the Duc would be
pardoned, and when Murat heard that the Prince had been shot, he
exclaimed, "There has been treachery!" On the other hand, Bertrand was
steadfast in his belief that Murat urged his immediate execution on
the grounds that if it was not done at once, Napoleon would grant
clemency.
[20] The terms of capitulation were agreed to and signed by Ruffo, the
Russian and Turkish commanders, and by Captain Foote, representing the
British Government. Thirty-six hours afterwards Nelson arrived in the
Bay of Naples, and cancelled the treaty. Captain Foote was sent away,
and the shocking indefensible campaign of Nelson's carried out.
Nothing during the whole of Napoleon's career can match this terrible
act of Nelson's.
[21] Italics are the author's.
[22] "History du Consulat et de l'Empire," vol. xix. p. 619, published
August, 1861.
SEA SONGS
EXPLANATORY NOTE
These quaint old doggerel songs are taken from an admirable selection
of sailor songs published by John Ashton. The names of the writers are
not given, but their strong nautical flavour and queer composition
indicate their origin. No landsman can ever imitate the sailor when
the power of song or composition is on him. He puts his own funny
sentiment and descriptive faculty into his work, which is exclusively
his own.
Many of the songs in Mr. Ashton's book I have heard sung with
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