of a "basket" pattern. Note the uncommon
appearance of the capitals on the south side pillars, an ancient tomb
in the chancel wall, and, not least, the doorway with Norman moulding.
There is in this church a window in memory of Lower, a fitting tribute
to the historian of Sussex, but his best memorial will always be that
work that is still the basis of most writings on the past of the
county.

The road continues to the Battlefield and Mount Harry, but to explore
the lower portion of the town a return must be made to High Street. At
the corner of Bull Lane, marked by a memorial tablet and with a queer
carved demon upon its front is Tom Paine's house. Note the unusual
milestone on a house front opposite Keere Street, down which turning is
presently passed (on the left) Southover House (1572), a good example
of Elizabethan architecture. Keere Street has another remnant of the
past in its centre gutter, the usual method of draining the street in
medieval times, but now very seldom seen except in the City of London.

At the foot of the street is the (probably dry) bed of the
Winterbourne, so called because, like other streams of the chalk
country, it flows at intermittent times. A short distance farther, to
the right, and just past St. John's Church, will be found the entrance
to the space once occupied by the first Priory of the Cluniacs in
England.

[Illustration: ST. ANNE'S CHURCH, LEWES.]

Founded in 1078 by William de Warenne and his wife Gundrada and
dedicated to St. Pancras, the Priory was always closely allied with the
parent house on the continent. At the Dissolution more than the usual
vandalism seems to have been observed and Cromwell's creatures must
have vented some personal spite against the monks in their wholesale
demolition of the buildings. A mound to the north-east is supposed to
be the site of a calvary, and until quite recently a "colombarium" or
dovecote was allowed to stand which contained homes for over three
thousand birds.

"The Priory building was probably irregular, varying in its form as the
increase of inmates demanded additional room. But though irregular, it
was certainly a noble edifice, faced with Caen stone, and richly
adorned by the chisel of the sculptor. Its walls embraced an area of 32
acres, 2 rods, 11 perches, and it was not less remarkable for its
magnificence than extent. The length of the church was 150 feet, having
an altitude of 60 feet. It was supported by thirty-two pilla