ron. The matter reached the Pope's ears, for whom Benvenuto was at work
upon crown jewels. Clement sent for him, and simply said: "Now you have
recovered your health, Benvenuto, take care of yourself." This shows how
little they thought of homicide in Rome. After killing a man, some
powerful protector had to be sought, who was usually a cardinal, since the
cardinals had right of sanctuary in their palaces. There the assassin lay
in hiding, in order to avoid his victim's friends and relatives, until
such time as a pardon and safe-conduct and absolution had been obtained
from his Holiness. When Cellini, soon after this occurrence, stabbed a
private enemy, by name Pompeo, two cardinals were anxious to screen him
from pursuit, and disputed the privilege of harbouring so talented a
criminal.[365] The Pope, with marvellous good-humour, observed: "I have
never heard of the death of Pompeo, but often of Benvenuto's provocation;
so let a safe-conduct be instantly made out, and that will secure him from
all manner of danger." A friend of Pompeo's who was present, ventured to
insinuate that this was dangerous policy. The Pope put him down at once by
saying, "You do not understand these matters; I would have you know that
men who are unique in their profession, like Benvenuto, are not subject to
the laws." Whether Paul really said these words, may be doubted; but it is
clear that much was conceded to a clever workman, and that the laws were a
mere _brutum fulmen_. No man of spirit appealed to them. Cellini, for
example, was poisoned by a parish priest near Florence:[366] yet he never
brought the man to justice; and in the case of his own murders, he only
dreaded the retaliation of his victims' kinsmen. On one occasion, indeed,
the civil arm came down upon him; when the city guard attempted to arrest
him for Pompeo's assassination. He beat them off with swords and sticks;
and, after all, it appeared that they were only acting at the instigation
of Pier Luigi Farnese, whom Benvenuto had offended.
During his residence at Rome, Cellini witnessed an incantation conducted
in the Colosseum by a Sicilian priest and necromancer. The conjurer and
the artist, accompanied by two friends, and by a boy, who was to act as
medium, went by night to the amphitheatre. The magic circle was drawn;
fires were lighted, and perfumes scattered on the flames. Then the
spirit-seer began his charms, calling in Hebrew, Greek, and Latin, or what
passed for such,
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