word, a sigh,
Stand ready at his call;
In me unknown they live and die,
Who have and feel them all."

Ah, simple swain, how little knows
The love-sick mind to scan
Those gifts which real love bestows
To mark the favoured man.

Secure, let fluent parrots feign
The musick of the dove;
'Tis only in the eye may reign
The eloquence of love.

Will, the Maniac.

_A Ballad._

HARK! what wild sound is on the breeze?
'Tis Will, at evening fall
Who sings to yonder waving trees
That shade his prison wall.

Poor Will was once the gayest swain
At village dance was seen;
No freer heart of wicked stain
E'er tripp'd the moonlight green.

His flock was all his humble pride,
A finer ne'er was shorn;
And only when a lambkin died
Had Will a cause to mourn.

But now poor William's brain is turn'd,
He knows no more his flock;
For when I ask'd "if them he mourn'd,"
He mock'd the village clock.

No, William does not mourn his fold,
Though tenantless and drear;
Some say, a love he never told
Did crush his heart with fear.

And she, 'tis said, for whom he pin'd
Was heiress of the land,
A lovely lady, pure of mind
Of open heart and hand.

And others tell, as _how_ he strove
To win the noble fair.
Who, scornful, jeer'd his simple love.
And left him to despair.

Will wander'd then amid the rocks
Through all the live long day,
And oft would creep where bursting shocks
Had rent the earth away.

He lov'd to delve the darksome dell
Where never pierc'd a ray,
There to the wailing night-bird tell,
'How love was turn'd to clay.'

And oft upon yon craggy mount,
Where threatening cliffs hang high,
Have I observ'd him stop to count
With fixless stare the sky.

Footnotes

[1] In a late beautiful poem by Mr. Montgomery is the following lines
"_The spirits of departed hours_." The Author, fearing that so singular a
coincidence of thought and language might subject him to the charge of
plagiarism, thinks it necessary to state that his poem was written long
before he had the pleasure of reading Mr. M.'s.

[2] The Author would be sorry to have it supposed that he alludes here to
any individual; for he can say with truth, that such a character has never
fallen under his observation: much less would he be thought to reflect on
the Artists, as a class of men to which such baseness may be generally
imputed. The case here is merely _supposed_, to shew how