f that palace whose
door was so pitilessly shut--how she resembled him! Draped with a mere
strip of linen, she was shivering, and amidst the overpowering distress
of her abandonment she did not reveal her secret, misfortune, or
transgression, whichever it might be. But he, behind her close-pressed
hands, endowed her with a face akin to his own: she became his sister, as
were all the poor creatures without roof or certainty who weep because
they are naked and alone, and wear out their strength in seeking to force
the wicked thresholds of men. He could never gaze at her without pitying
her, and it stirred him so much that evening to find her ever so unknown,
nameless and visageless, yet steeped in the most bitter tears, that he
suddenly began to question his companion.

"Tell me," said he, "do you know who painted that old picture? It stirs
me to the soul like a masterpiece."

Stupefied by this unexpected question, the secretary raised his head and
looked, feeling yet more astonished when he had examined the blackened,
forsaken panel in its sorry frame.

"Where did it come from?" resumed Pierre; "why has it been stowed away in
this room?"

"Oh!" replied Don Vigilio, with a gesture of indifference, "it's nothing.
There are heaps of valueless old paintings everywhere. That one, no
doubt, has always been here. But I don't know; I never noticed it
before."

Whilst speaking he had at last risen to his feet, and this simple action
had brought on such a fit of shivering that he could scarcely take leave,
so violently did his teeth chatter with fever. "No, no, don't show me
out," he stammered, "keep the lamp here. And to conclude: the best course
is for you to leave yourself in the hands of Monsignor Nani, for he, at
all events, is a superior man. I told you on your arrival that, whether
you would or not, you would end by doing as he desired. And so what's the
use of struggling? And mind, not a word of our conversation to-night; it
would mean my death."

Then he noiselessly opened the doors, glanced distrustfully into the
darkness of the passage, and at last ventured out and disappeared,
regaining his own room with such soft steps that not the faintest
footfall was heard amidst the tomb-like slumber of the old mansion.

On the morrow, Pierre, again mastered by a desire to fight on to the very
end, got Don Vigilio to recommend him to the Pope's confessor, the
Franciscan friar with whom the secretary was slightly acquainted