ee him again.
The next day it was the same thing, and so on till the day of the
races. That morning Charley had his pulse beating so hard the doctor
thought bad of him.
'I'm going to the races now, Charley,' said he, 'but I'll come in
and see you again when I'll be coming back in the evening, and let
you be very careful and quiet till you see me.'
As soon as he had gone Charley leapt up out of bed and got on his
horse, and rode seven miles to where the first horse was waiting for
him. Then he rode that horse seven miles, and another horse seven
miles more, till he came to the racecourse.
He rode on the gentleman's horse and he won the race.
There were great crowds looking on, and when they saw him coming in
they said it was Charley Lambert, or the devil was in it, for there
was no one else could bring in a horse the way he did, for the leg
was after being knocked off of the horse and he came in all the
same.
When the race was over, he got up on the horse was waiting for him,
and away with him for seven miles. Then he rode the other horse
seven miles, and his own horse seven miles, and when he got home he
threw off his clothes and lay down on his bed.
After a while the doctor came back and said it was a great race they
were after having.
The next day the people were saying it was Charley Lambert was the
man who rode the horse. An inquiry was held, and the doctor swore
that Charley was ill in his bed, and he had seen him before the race
and after it, so the gentleman saved his fortune.
After that he told me another story of the same sort about a fairy
rider, who met a gentleman that was after losing all his fortune but
a shilling, and begged the shilling of him. The gentleman gave him
the shilling, and the fairy rider--a little red man--rode a horse
for him in a race, waving a red handkerchief to him as a signal when
he was to double the stakes, and made him a rich man.
Then he gave us an extraordinary English doggerel rhyme which I took
down, though it seems singularly incoherent when written out at
length. These rhymes are repeated by the old men as a sort of chant,
and when a line comes that is more than usually irregular they seem
to take a real delight in forcing it into the mould of the
recitative. All the time he was chanting the old man kept up a kind
of snakelike movement in his body, which seemed to fit the chant and
make it part of him.
THE WHITE HORSE
My horse he is white
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