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ated. For example, there is no proof that the "Mosaic" cosmogony was known to the Israelites of Solomon's time.] [Footnote 7: When Jeremiah (iv. 23) says, "I beheld the earth, and, lo, it was waste and void," he certainly does not mean to imply that the form of the earth was less definite, or its substance less solid, than before.] [Footnote 8: In looking through the delightful volume recently published by the Astronomer-Royal for Ireland, a day or two ago, I find the following remarks on the nebular hypothesis, which I should have been glad to quote in my text if I had known them sooner:-- "Nor can it be ever more than a speculation; it cannot be established by observation, nor can it be proved by calculation. It is merely a conjecture, more or less plausible, but perhaps in some degree, necessarily true, if our present laws of heat, as we understand them, admit of the extreme application here required, and if the present order of things has reigned for sufficient time without the intervention of any influence at present known to us" (_The Story of the Heavens,_ p. 506). Would any prudent advocate base a plea, either for or against revelation, upon the coincidence, or want of coincidence, of the declarations of the latter with the requirements of an hypothesis thus guardedly dealt with by an astronomical expert?] [Footnote 9: Lectures on Evolution delivered in New York (American Addresses).] [Footnote 10: Reuss, _L'Histoire Sainte et la Loi,_ vol. i, p. 275.] [Footnote 11: For the sense of the term "Elohim," see the essay entitled "The Evolution of Theology" at the end of this volume.] [Footnote 12: Perhaps even hippopotamuses and otters!] End of Project Gutenberg's Mr. Gladstone and Genesis, by Thomas Henry Huxley *** END OF THIS PROJECT GUTENBERG EBOOK MR. GLADSTONE AND GENESIS *** ***** This file should be named 2631.txt or 2631.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/3/2631/ Produced by D.R. Thompson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license,
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