FREE BOOKS

Author's List




PREV.   NEXT  
|<   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160  
161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   >>   >|  
the elbow; in one case with very narrow ribbon loops. Randle Holme says that a sleeve thus tied in at the elbow was called a virago sleeve. Madam Shrimpton's sleeve has also a falling frill of embroidery and lace and a ruffle around the armsize. The question of sleeves sorely vexed the colonial magistrates. Men and women were forbidden to have but one slash or opening in each sleeve. Then the inordinate width of sleeves became equally trying, and all were ordered to restrain themselves to sleeves half an ell wide. Worse modes were to come: 'short sleeves whereby the nakedness of the arm may be discovered' had to be prohibited; and if any such ill-fashioned gowns came over from London, the owners were enjoined to wear thick linen to cover the arms to the wrist. Existing portraits show how futile were these precautions, how inoperative these laws; arms were bared with impunity, with complacency, and the presentment of Governor Wentworth shows three slashes in the sleeves. "Not only were the arms of New England women bared to an immodest degree, but their necks also, calling forth many a 'just and seasonable reprehension of naked breasts.' Though gowns thus cut in the pink of the English mode proved too scanty to suit Puritan ministers, the fair wearers wore them as long as they were in vogue. "It is curious to note in the oldest gowns I have seen, that the method of cutting and shaping the waist or body is precisely the same as at the present day. The outlines of the shoulder and back-seams, of the bust forms, are the same, though not so gracefully curved: and the number of pieces is usually the same. Very good examples to study are the gorgeous brocaded gowns of Peter Faneuil's sister, perfectly preserved and now exhibited in the Boston Art Museum." That the record made in this quotation may be complete, it must be supplemented by a few words devoted to another aspect of fashion among the early Puritans. This was in the matter of hair-dressing, that fashion which went to such enormous lengths in England during the eighteenth century. A curious fact is that the Puritan women seem generally to have worn "bangs"; and this fact is more of a certificate to their simplicity than to their taste. However, there was a large leaven of fashion in the towns of the Puritans; for in 1683 Increase Mather thus spoke of the mode of his day: "Will not the haughty daughters of Zion refrain their pride in apparell? Will they lay ou
PREV.   NEXT  
|<   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160  
161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   >>   >|  



Top keywords:

sleeves

 

sleeve

 

fashion

 

curious

 

Puritan

 

England

 

Puritans

 

examples

 

perfectly

 

preserved


exhibited

 

sister

 

brocaded

 

Boston

 

Faneuil

 

gorgeous

 

cutting

 

method

 

shaping

 

oldest


precisely

 
present
 

gracefully

 

curved

 

number

 

pieces

 
shoulder
 
outlines
 
devoted
 
However

leaven

 

simplicity

 

generally

 

certificate

 

refrain

 
apparell
 
daughters
 

Mather

 

Increase

 

haughty


supplemented

 

record

 

quotation

 

complete

 
aspect
 

lengths

 

enormous

 
eighteenth
 

century

 

matter