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d as exhibiting the maxima of simplicity in construction, and perfection in workmanship,--a rare unison: for, in general, simple designs are rudely worked, and as the builder perfects his execution, he complicates his plan. Nearly all the arches of San Fermo are two-pieced. [Illustration: Plate IV. ARCH MASONRY.] Sec. XIII. We have seen the construction with one and two pieces: _a_ and _b_, Fig. 8, Plate IV., are the general types of the construction with three pieces, uncusped and cusped; _c_ and _d_ with five pieces, uncusped and cusped. Of these the three-pieced construction is of enormous importance, and must detain us some time. The five-pieced is the three-pieced with a joint added on each side, and is also of great importance. The four-pieced, which is the two-pieced with added joints, rarely occurs, and need not detain us. Sec. XIV. It will be remembered that in first working out the principle of the arch, we composed the arch of three pieces. Three is the smallest number which can exhibit the real _principle_ of arch masonry, and it may be considered as representative of all arches built on that principle; the one and two-pieced arches being microscopic Mont-Cenisian, mere caves in blocks of stone, or gaps between two rocks leaning together. But the three-pieced arch is properly representative of all; and the larger and more complicated constructions are merely produced by keeping the central piece for what is called a keystone, and putting additional joints at the sides. Now so long as an arch is pure circular or pointed, it does not matter how many joints or voussoirs you have, nor where the joints are; nay, you may joint your keystone itself, and make it two-pieced. But if the arch be of any bizarre form, especially ogee, the joints must be in particular places, and the masonry simple, or it will not be thoroughly good and secure; and the fine schools of the ogee arch have only arisen in countries where it was the custom to build arches of few pieces. Sec. XV. The typical pure pointed arch of Venice is a five-pieced arch, with its stones in three orders of magnitude, the longest being the lowest, as at _b2_, Plate III. If the arch be very large, a fourth order of magnitude is added, as at _a2_. The portals of the palaces of Venice have one or other of these masonries, almost without exception. Now, as one piece is added to make a larger door, one piece is taken away to make a small
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