e inspired by the frostwork wreathed upon its glittering
point, and the Italian by the dark green depth of sunshine on the broad
table of the stone-pine[52] (and consider by the way whether the spruce
fir be a more heavenly-minded tree than those dark canopies of the
Mediterranean isles).

Sec. IX. Circumstance and sentiment, therefore, aiding each other, the
steep roof becomes generally adopted, and delighted in, throughout the
north; and then, with the gradual exaggeration with which every pleasant
idea is pursued by the human mind, it is raised into all manner of
peaks, and points, and ridges; and pinnacle after pinnacle is added on
its flanks, and the walls increased in height, in proportion, until we
get indeed a very sublime mass, but one which has no more principle of
religious aspiration in it than a child's tower of cards. What is more,
the desire to build high is complicated with the peculiar love of the
grotesque[53] which is characteristic of the north, together with
especial delight in multiplication of small forms, as well as in
exaggerated points of shade and energy, and a certain degree of
consequent insensibility to perfect grace and quiet truthfulness; so
that a northern architect could not feel the beauty of the Elgin
marbles, and there will always be (in those who have devoted themselves
to this particular school) a certain incapacity to taste the finer
characters of Greek art, or to understand Titian, Tintoret, or Raphael:
whereas among the Italian Gothic workmen, this capacity was never lost,
and Nino Pisano and Orcagna could have understood the Theseus in an
instant, and would have received from it new life. There can be no
question that theirs was the greatest school, and carried out by the
greatest men; and that while those who began with this school could
perfectly well feel Rouen Cathedral, those who study the Northern Gothic
remain in a narrowed field--one of small pinnacles, and dots, and
crockets, and twitched faces--and cannot comprehend the meaning of a
broad surface or a grand line. Nevertheless the northern school is an
admirable and delightful thing, but a lower thing than the southern. The
Gothic of the Ducal Palace of Venice is in harmony with all that is
grand in all the world: that of the north is in harmony with the
grotesque northern spirit only.

Sec. X. We are, however, beginning to lose sight of our roof structure in
its spirit, and must return to our text. As the height of t