FREE BOOKS

Author's List




PREV.   NEXT  
|<   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108  
109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   >>   >|  
t be named here in order to mark their exact opposition to the foiled system. In their simplest form, represented by _c_, Fig. XVI., they have no representatives in good architecture, being evidently weak and meagre; but approximations to them exist in late Gothic, as in the vile cathedral of Orleans, and in modern cast-iron shafts. In their fully developed form they are the Greek Doric, _a_, Fig. XVI., and occur in caprices of the Romanesque and Italian Gothic: _d_, Fig. XVI., is from the Duomo of Monza. Sec. XVII. 2. Between _c3_ and _d3_ of Fig. XIV. there may be evidently another condition, represented at 6, Plate II., and formed by the insertion of a central shaft within the four external ones. This central shaft we may suppose to expand in proportion to the weight it has to carry. If the external shafts expand in the same proportion, the entire form remains unchanged; but if they do not expand, they may (1) be pushed out by the expanding shaft, or (2) be gradually swallowed up in its expansion, as at 4, Plate II. If they are pushed out, they are removed farther from each other by every increase of the central shaft; and others may then be introduced in the vacant spaces; giving, on the plan, a central orb with an ever increasing host of satellites, 10, Plate II.; the satellites themselves often varying in size, and perhaps quitting contact with the central shaft. Suppose them in any of their conditions fixed, while the inner shaft expands, and they will be gradually buried in it, forming more complicated conditions of 4, Plate II. The combinations are thus altogether infinite, even supposing the central shaft to be circular only; but their infinity is multiplied by many other infinities when the central shaft itself becomes square or crosslet on the section, or itself multifoiled (8, Plate II.) with satellite shafts eddying about its recesses and angles, in every possible relation of attraction. Among these endless conditions of change, the choice of the architect is free, this only being generally noted: that, as the whole value of such piers depends, first, upon their being wisely fitted to the weight above them, and, secondly, upon their all working together: and one not failing the rest, perhaps to the ruin of all, he must never multiply shafts without visible cause in the disposition of members superimposed:[41] and in his multiplied group he should, if possible, avoid a marked separation between the large ce
PREV.   NEXT  
|<   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108  
109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   >>   >|  



Top keywords:

central

 

shafts

 

expand

 

conditions

 
multiplied
 

represented

 

gradually

 
pushed
 

evidently

 
weight

satellites

 

external

 
Gothic
 

proportion

 

section

 
satellite
 

multifoiled

 
crosslet
 

square

 

supposing


buried

 

forming

 

expands

 
Suppose
 

complicated

 

circular

 

infinity

 

infinities

 

infinite

 

combinations


altogether

 

architect

 

multiply

 

visible

 

working

 

failing

 
disposition
 
members
 
separation
 

marked


superimposed
 

endless

 

change

 

choice

 

contact

 

attraction

 

recesses

 

angles

 

relation

 

depends