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and women bare of the chaff of petty circumstances which covered them. His stories all contain at least a minor chord of sentiment, but are usually free from the sentimentality which mars some of Harte's sketches. He is not ashamed to employ pathos, but his tragic situations are rarely overstrained and maudlin. He has all the tenderness of Dickens; his _Christmas Eve at Topmast Tickle_ may well be compared with _A Christmas Carol_. Norman Duncan never married, but few Canadian or American authors have understood women as did the creator of high-spirited Bessie Roth and her noble mother in _Doctor Luke of the Labrador_, of naive little Patty Batch, and of Millie Slade, glorified by her love for her son. In the delicacy and sensibility of his delineation of women he undoubtedly surpasses Bret Harte, most of whose women are either exaggerated or colorless. Moreover, Norman Duncan possessed a very genuine understanding of children, particularly of young boys, of whom he was exceedingly fond. There are few more sympathetic pictures of children in American literature than those of David Roth and the Lovejoy twins in _Doctor Luke of the Labrador_, and of Donald, Pale Peter's lad, in _The Measure of a Man_; and in Billy Topsail Duncan has created a real boy, a youngster as red-blooded and manly and keen for excitement in his numerous thrilling adventures in the frozen North as are any of Stevenson's boy heroes. Variety and color in characters and situations, vividness of descriptions--especially in those of the stormy sea--rapidity of movement and dramatic intensity in narratives, genuine sentiment and real tenderness, humor, and pathos, and, above all, a healthy, vigorous, Anglo-Saxon morality--all of these qualities make of Norman Duncan's books and short-stories literature that is distinctly worthy and permanent in character. * * * * * I MADMAN'S LUCK * * * * * I MADMAN'S LUCK It was one thing or the other. Yet it might be neither. There was a disquieting alternative. No doubt the message disposed of the delicate affair for good and all in ten terse words. The maid had made up her mind; she had disclosed it in haste: that was all. It might be, however, that the dispatch conveyed news of a more urgent content. It might be that the maid lay ill--that she called for help and comfort. In that event, nothing could excuse th
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