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was dazed, nor did I feel--save once--a fleeting surge of contempt for the mob below me with their silly faces upturned to mine. There may have been intelligent expressions among them, but they failed to catch my eye. I remember being stopped by Grierson as I was going out of the side entrance. He took my hand and squeezed it, and there was on his face an odd, surprised look. "That was the best yet, Hugh," he said. I went on past him. Looking back on that evening now, it would almost seem as though the volition of another possessed me, not my own: seemingly, I had every intention of going on to the National Theatre, in which Parks had just spoken, and as I descended the narrow stairway and emerged on the side street I caught sight of my chauffeur awaiting me by the curb. "I'm not going to that other meeting," I found myself saying. "I'm pretty tired." "Shall I drive you back to the Club, sir?" he inquired. "No--I'll walk back. Wait a moment." I entered the ear, turned on the light and scribbled a hasty note to Andrews, the chairman of the meeting at the National, telling him that I was too tired to speak again that night, and to ask one of the younger men there to take my place. Then I got out of the car and gave the note to the chauffeur. "You're all right, sir?" he asked, with a note of anxiety in his voice. He had been with me a long time. I reassured him. He started the car, and I watched it absently as it gathered speed and turned the corner. I began to walk, slowly at first, then more and more rapidly until I had gained a breathless pace; in ten minutes I was in West Street, standing in front of the Templar's Hall where the meeting of the Citizens Union west in progress. Now that I had arrived there, doubt and uncertainty assailed me. I had come as it were in spite of myself, thrust onward by an impulse I did not understand, which did not seem to be mine. What was I going to do? The proceeding suddenly appeared to me as ridiculous, tinged with the weirdness of somnambulism. I revolted, walked away, got as far as the corner and stood beside a lamp post, pretending to be waiting for a car. The street lights were reflected in perpendicular, wavy-yellow ribbons on the wet asphalt, and I stood staring with foolish intentness at this phenomenon, wondering how a painter would get the effect in oils. Again I was walking back towards the hall, combating the acknowledgment to myself that I had a plan, a p
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