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Project Gutenberg's The Girl on the Boat, by Pelham Grenville Wodehouse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Girl on the Boat Author: Pelham Grenville Wodehouse Release Date: March 1, 2007 [EBook #20717] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE GIRL ON THE BOAT *** Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net THE GIRL ON THE BOAT BY P. G. WODEHOUSE HERBERT JENKINS LIMITED 3 YORK STREET LONDON S.W.1 [Illustration: A HERBERT JENKINS BOOK] _Tenth printing, completing 95,781 copies_ Printed in Great Britain by Butler & Tanner Ltd., Frome and London WHAT THIS STORY IS ABOUT It was Sam Marlowe's fate to fall in love with a girl on the R.M.S. "Atlantic" (New York to Southampton) who had ideals. She was looking for a man just like Sir Galahad, and refused to be put off with any inferior substitute. A lucky accident on the first day of the voyage placed Sam for the moment in the Galahad class, but he could not stay the pace. He follows Billie Bennett "around," scheming, blundering and hoping, so does the parrot faced young man Bream Mortimer, Sam's rival. There is a somewhat hectic series of events at Windles, a country house in Hampshire, where Billie's ideals still block the way and Sam comes on in spite of everything. Then comes the moment when Billie.... It is a Wodehouse novel in every sense of the term. ONE MOMENT! Before my friend Mr. Jenkins--wait a minute, Herbert--before my friend Mr. Jenkins formally throws this book open to the public, I should like to say a few words. You, sir, and you, and you at the back, if you will kindly restrain your impatience.... There is no need to jostle. There will be copies for all. Thank you. I shall not detain you long. I wish to clear myself of a possible charge of plagiarism. You smile. Ah! but you don't know. You don't realise how careful even a splendid fellow like myself has to be. You wouldn't have me go down to posterity as Pelham the Pincher, would you? No! Very well, then. By the time this volume is in the hands of the customers, everybody will, of course, have re
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