mited to 1000 numbered
and signed copies.]

[Footnote 27: Judge.]

The chief credit for bringing together the materials for the First
Folio, in 1623, is believed to be due to William Jaggard. Some ten
years earlier he had acquired the printing-privileges of certain of
the quartos. Edward Blount, whose name appears as publisher on the
title page with that of Isaac Jaggard, was merely a stationer, so that
the actual printing was solely under the charge of the latter, who
seems, at this time, to have been entrusted with this department of
the business. However, Blount's services may have been valuable since
he had better literary taste than the Jaggards possessed.

In spite of certain evident faults of proportion, the portrait of
Shakespeare engraved by Martin Droeshout for the title page of the
1623 Folio bears internal evidence of being a fairly good likeness,
for the face possesses a marked individuality. There is a belief that
it was taken from the so-called "Flower" portrait, now in the
Shakespeare Memorial Gallery at Stratford-upon-Avon, and which is
conjectured to have been painted in 1609, at least during
Shakespeare's lifetime, possibly by another Martin Droeshout, a
Fleming, uncle of the engraver of the same name. This portrait was
discovered, painted on a panel at Peckham Rye, bearing the inscription
"Will Shakespeare^n, 1609". That it should be the original from which
the Droeshout engraving was taken has been doubted, since it appears
rather to resemble later states of the plate than earlier ones. While
Ben Jonson, who had seen Shakespeare so often, may have been partly
moved to bestow undue praise upon the Folio portrait, in the lines he
furnished the publishers to be placed immediately facing it, by his
wish to say a good word for their publication, he would scarcely have
made use of such superlative terms had he not considered it to be at
least a fairly good likeness. Jonson's lines have been so often
printed that few are unacquainted with them, but as illustrating the
above remarks they can be repeated here, in the old spelling and form
of the First Folio:

TO THE READER.

This Figure, that thou here seest put,
It was for gentle Shakespeare cut;
Wherein the Graver has a strife
With Nature, to out-doo the life:
O, could he but have drawne his wit
As well in brasse, as he hath hit
His face; the Print would then surpasse
All,