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I have run counter to many prejudices of long standing, and that the theories which I consider to be alone consistent with the fact of the progress of morality, may by some be thought to impair its authority. But if morality has its foundations in the constitution of human nature, which itself proceeds from the Divine Source of all things, I conceive that its credentials are sufficiently assured. In the present chapter, I have, in attempting to illustrate the possibility of future improvements in the art and theory of conduct, been necessarily led to note some deficiencies in the existing moral sentiment. This is always an unwelcome and invidious task. Men do not like to be reminded of their moral failings, and there is hardly any man, however critical he may be of others, who, in the actual conduct of life, does not appear to delude himself with the idea that his own moral practice is perfect. I appeal, however, from the unconscious assumptions of men to their powers of reflexion, and I ask each man who reads this book to consider carefully within himself whether, on the principles here set out, much of the conduct and many of the ethical maxims which are now generally accepted do not admit of refinement and improvement. In the sphere of morals, as in all other departments of human activity, we are bound to do for our successors what our predecessors were bound to do, and mostly did, for us--transmit the heritage we have received with all the additions and adaptations which the new experiences and changing conditions of life have rendered necessary or desirable. End of the Project Gutenberg EBook of Progressive Morality, by Thomas Fowler *** END OF THIS PROJECT GUTENBERG EBOOK PROGRESSIVE MORALITY *** ***** This file should be named 12035.txt or 12035.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/0/3/12035/ Produced by Shawn Cruze and PG Distributed Proofreaders. Produced from images provided by the Million Book Project. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply
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