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or altar and hearth!" My father suddenly drew in and pished a little, for he saw that he was caught in the web of his own eloquence. Then Roland took down from the wall his son's sword. Stealing to the cradle, he laid it in its sheath by the infant's side, and glanced from my father to us with a beseeching eye. Instinctively Blanche bent over the cradle, as if to protect the Neogilos; but the child, waking, turned from her, and attracted by the glitter of the hilt, laid one hand lustily thereon, and pointed with the other, laughingly, to Roland. "Only on my uncle's proviso," said I, hesitatingly. "For hearth and altar,--nothing less!" "And even in that case," said my father, "add the shield to the sword!" and on the other side of the infant he placed Roland's well-worn Bible, blistered in many a page with secret tears. There we all stood, grouping round the young centre of so many hopes and fears, in peace or in war, born alike for the Battle of Life. And he, unconscious of all that made our lips silent and our eyes dim, had already left that bright bauble of the sword and thrown both arms round Roland's bended neck. "Herbert!" murmured Roland; and Blanche gently drew away the sword--and left the Bible. (1) Shaftesbury. (2) When this work was first published, Mr. Caxton was generally deemed a very false prophet in these anticipations, and sundry critics were pleased to consider his apology for war neither seasonable nor philosophical. That Mr. Caxton was right, and the politicians opposed to him have been somewhat ludicrously wrong, may be briefly accounted for,--Mr. Caxton had read history. End of Project Gutenberg's The Caxtons, Complete, by Edward Bulwer-Lytton *** END OF THIS PROJECT GUTENBERG EBOOK THE CAXTONS, COMPLETE *** ***** This file should be named 7605.txt or 7605.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/7/6/0/7605/ Produced by Pat Castevens and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Proj
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