certain patent lock, but it struck him with no
surprise; the worthy clergyman was no doubt hiding from eyes profane
his last much-studied sermon; for the archdeacon, though he preached
but seldom, was famous for his sermons. No room, Bold thought, could
have been more becoming for a dignitary of the church; each wall was
loaded with theology; over each separate bookcase was printed in small
gold letters the names of those great divines whose works were ranged
beneath: beginning from the early fathers in due chronological order,
there were to be found the precious labours of the chosen servants
of the church down to the last pamphlet written in opposition to the
consecration of Dr Hampden; and raised above this were to be seen
the busts of the greatest among the great: Chrysostom, St Augustine,
Thomas a Becket, Cardinal Wolsey, Archbishop Laud, and Dr Philpotts.

Every appliance that could make study pleasant and give ease to the
overtoiled brain was there; chairs made to relieve each limb and
muscle; reading-desks and writing-desks to suit every attitude;
lamps and candles mechanically contrived to throw their light on any
favoured spot, as the student might desire; a shoal of newspapers to
amuse the few leisure moments which might be stolen from the labours
of the day; and then from the window a view right through a bosky
vista along which ran a broad green path from the rectory to the
church,--at the end of which the tawny-tinted fine old tower was seen
with all its variegated pinnacles and parapets. Few parish churches
in England are in better repair, or better worth keeping so, than that
at Plumstead Episcopi; and yet it is built in a faulty style: the body
of the church is low,--so low, that the nearly flat leaden roof would
be visible from the churchyard, were it not for the carved parapet
with which it is surrounded. It is cruciform, though the transepts
are irregular, one being larger than the other; and the tower is much
too high in proportion to the church. But the colour of the building
is perfect; it is that rich yellow gray which one finds nowhere but in
the south and west of England, and which is so strong a characteristic
of most of our old houses of Tudor architecture. The stone work also
is beautiful; the mullions of the windows and the thick tracery of
the Gothic workmanship is as rich as fancy can desire; and though in
gazing on such a structure one knows by rule that the old priests who
built it