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e has one poem, indeed, addressed specially to a Daisy, but he simply uses the little flower, and not very successfully, as a peg on which to hang the praises of his mistress. He uses it more happily in describing the pleasures of a country life-- "Come live with me and thou shalt see The pleasures I'll prepare for thee, What sweets the country can afford, Shall bless thy bed and bless thy board. . . . Thou shalt eat The paste of Filberts for thy bread, With cream of Cowslips buttered; Thy feasting tables shall be hills, With Daisies spread and Daffodils." And again-- "Young men and maids meet, To exercise their dancing feet, Tripping the comely country round, With Daffodils and Daisies crowned." George Herbert had a deep love for flowers, and a still deeper love for finding good Christian lessons in the commonest things about him. He delights in being able to say-- "Yet can I mark how herbs below Grow green and gay;" but I believe he never mentions the Daisy. Of the poets of the seventeenth century I need only make one short quotation from Dryden-- "And then the band of flutes began to play, To which a lady sang a tirelay: And still at every close she would repeat The burden of the song--'The Daisy is so sweet, The Daisy is so sweet'--when she began The troops of knights and dames continued on The consort; and the voice so charmed my ear And soothed my soul that it was heaven to hear." I need not dwell on the other poets of the seventeenth century. In most of them a casual allusion to the Daisy may be found, but little more. Nor need I dwell at all on the poets of the eighteenth century. In the so-called Augustan age of poetry, the Daisy could not hope to attract any attention. It was the correct thing if they had to speak of the country to speak of the "Daisied" or "Daisy-spangled" meads, but they could not condescend to any nearer approach to the little flower. If they had they would have found that they had chosen their epithet very badly. I never yet saw a "Daisy-spangled" meadow.[370:1] The flowers may be there, but the long Grasses effectually hide them. And so I come _per saltum_ to the end of the eighteenth century, and at once to Burns, who brought the Daisy again into notice. He thus regrets the uprooting of the Daisy by his plough--
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