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d said something that made them shout with laughter. But it was not so loud but that the wind carried her his reply: "She's not _my_ ugly duckling. She's a wicked little leprechaun, born under a mushroom, on a black night, but she swims like a fish, and dances like a pixie. I tell ye she's not human at all at all!" She heard their laughter, and her eyes smarted. What a fool he had made of her! How she despised herself. There was only one way to square it, to get back her self-respect. She would find out what a leprechaun meant, and she would bedevil the honourable Captain O'Leary, like the pixie that he named her! CHAPTER TWENTY-SEVEN Bright-coloured days followed, like beads slipping along a thread. Isabelle did not formulate any plan of bedevilment for the Captain, but she watched for opportunities with lynx-eyed attention. She and Agnes were very intimate, and while Isabelle was not given to confidences, she allowed her friend to see that there was something between her and the handsome O'Leary--a sort of flirtatious feud. Agnes adored him from afar, and envied the other girl her power to attract him. She did not understand just what Isabelle wanted of him, but she stood ready to help her get it. Early in their friendship Agnes had fired Isabelle with a new zeal. She told her about the wonderful patriotic work to be done by writing letters to soldiers, who had no relatives, and to keep them cheered up. She, Agnes, had become _marraine_ to half a dozen Frenchmen; she considered them more exciting than plain English "Tommies" or American "Sammies." Besides, it was good practice for your French. You made them presents, sent cigarettes and candy, and they sent you back the most thrilling letters. Agnes displayed some of hers, in confidence, and at once Isabelle felt the call of duty to rescue a French soldier. She could not wait to go through with the formality of applying to the organization in charge of this work, for names of the letter-needy; instead, she borrowed two from Agnes. She chose the two who wrote the most picturesque letters and "adopted" them at once. Together they worked out her first letters, telling the gentlemen in question of the transfer of god-mothers. After much consideration she adopted the tone of maternal concern for their comfort and welfare, with a cheerful optimism intended to be elderly. "Jean" and "Edouard" were told of life in Bermuda;
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