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-text 23041) discusses the 17th- and 18th-century editions in detail; the newer (19th-century) editions are simply listed by name. The following editions may appear in the Notes. All inset text is quoted from the Preface. Folios: F1 1623; F2 (no date given); F3 1663; F4 1685. "The five plays contained in this volume occur in the first Folio in the same order, and ... were there printed for the first time." Early editions: Rowe 1709 Pope 1715 "Pope was the first to indicate the _place_ of each new scene; as, for instance, _Tempest_, I. 1. 'On a ship at sea.' He also subdivided the scenes as given by the Folios and Rowe, making a fresh scene whenever a new character entered--an arrangement followed by Hanmer, Warburton, and Johnson. For convenience of reference to these editions, we have always recorded the commencement of Pope's scenes." Theobald 1733 Hanmer ("Oxford edition") 1744 Warburton 1747 Johnson 1765 Capell 1768; _also Capell's annotated copy of F2_ Steevens 1773 Malone 1790 Reed 1803 Later editions: Singer, Knight, Cornwall, Collier, Phelps, Halliwell, Dyce, Staunton Errors and inconsistencies: [Text-critical notes] II. 3. 20: _Oh, the dog is me_] [_body text punctuates "Oh! the"_] II. 4. 58: Know] [_body text has "know", not capitalized_] II. 5. 1: Padua] [_body text has "the same", referring back to II. 4 "Milan"_] IV. 4. 95: _am I_] F1 F2. _I am_ F3 F4. [F3 F3] End of Project Gutenberg's Two Gentlemen of Verona, by William Shakespeare *** END OF THIS PROJECT GUTENBERG EBOOK TWO GENTLEMEN OF VERONA *** ***** This file should be named 23043.txt or 23043.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/0/4/23043/ Produced by Louise Hope, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of th
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