rusted now, when the_ Pope.
69: _I am_] _I'm_ Pope.
71: _O time most accurst_] _O time accurst_ Hanmer. _O time most
curst_ Johnson. _O spite accurst_ S. Verges conj.
72: _all foes that a friend_] _all my foes a friend_ Collier MS.
73: _confounds_] _confound_ Rowe.
_My ... confounds me_] _My shame and desperate guilt at once
confound me_ Collier MS.
82, 83: Blackstone proposes to transfer these lines to the end of
Thurio's speech, line 135.
84: [Swoons.] Pope.
86-90: Printed by Capell as four verses ending _matter ... me ...
Silvia ... done._
86: _what's_] _what is_ Capell.
88: _to deliver_] _Deliver_ Steevens conj.
92: _see_] _see it_ Steevens conj. suggesting that lines 92-97
should end at _ring ... sir ... sent ... this?_ (om. _ring_)
_... Julia._
93: _Why, this is_] _This is_ Pope. _Why, 'tis_ S. Verges conj.
96: _But_] om. Pope.
102: _'em_] _them_ Capell.
103: _root_] _root on't_ Hanmer.
112: _all the sins_] _all th' sins_ Ff. _all sins_ Pope.
118: _be long_] _long be_ Pope.
120: _And I mine_] _And I have mine_ Steevens (Ritson conj.).
[embracing. Capell.
121: SCENE V. Pope.
122: _Forbear, forbear, I say!_] _Forbear, I say!_ Capell.
_Forbear, forbear!_ Pope.
124: _Banished_] _The banish'd_ Pope.
129: _Verona shall not hold_] _Milan shall not behold_ Theobald.
_And Milan shall not hold_ Hanmer. _Milano shall not hold_
Collier MS. See note (VII).
143: _again,_] _again._ Steevens (Tyrwhitt conj.).
144: _unrival'd_] F1. _arrival'd_ F2 F3 F4.
160: _include_] _conclude_ Hanmer.
161: _rare_] F1. _all_ F2 F3 F4.
164: _page_] _stripling page_ Collier MS.
167: _saying?_] _saying, Valentine?_ Collier MS.
171: _loves discovered_] _love discovered_ Pope. _love's discoverer_
Collier MS.
172: _That done, our ... yours_] _Our day of marriage shall be
yours no less_ Collier MS.

NOTES.

NOTE I.

DRAMATIS PERSONAE. We have followed Steevens and the later editors in
reading 'Proteus' for 'Protheus'; for though the latter form is
invariably used in the Folios, and was, in all probability, what
Shakespeare wrote, yet in choosing the name he doubtless meant to
compare the fickle mind of the lover with the changeable form of the
god. We have written 'Panthino,' not 'Panthion,' because the authority
of the first Folio preponderates in favour of the former, in itself the
more probable form of an Italian proper