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The Project Gutenberg EBook of Platform Monologues, by T. G. Tucker This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Platform Monologues Author: T. G. Tucker Release Date: August 2, 2006 [EBook #18969] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK PLATFORM MONOLOGUES *** Produced by Juliet Sutherland, Janet Blenkinship and the Online Distributed Proofreaders Europe at http://dp.rastko.net PLATFORM MONOLOGUES By T. G. TUCKER LITT.D. (CAMB.); HON. LITT.D. (DUBLIN) Professor of Classical Philology in the University of Melbourne MELBOURNE THOMAS C. LOTHIAN 1914 _PRINTED IN ENGLAND_ Copyright. First Edition May, 1914. PREFACE The following monologues were given as public addresses, mostly to semi-academical audiences, and no alteration has been made in their form. Their common object has been to plead the cause of literary study at a time when that study is being depreciated and discouraged. But along with the general plea must go some indication that literature can be studied as well as read. Hence some of the articles attempt--what must always be a difficult task--the crystallizing of the salient principles of literary judgment. The present collection has been made because the publisher believes that a sufficiently large number of intelligent persons will be interested in reading it. On the whole that appears to be at least as good a reason as any other for printing a book. The addresses on "The Supreme Literary Gift," "The Making of a Shakespeare," and "Literature and Life," have appeared previously as separate brochures. Those on "Two Successors of Tennyson" and "Hebraism and Hellenism" were printed in the Melbourne _Argus_ at the time of their delivery, and are here reproduced by kind permission of that paper. The talk upon "The Future of Poetry" has not hitherto appeared in print. Though circumstances have prevented any development of the powers and work of the two "Successors of Tennyson," there is nothing either in the criticism of those writers or in the principles applied thereto which seems to call for any modification at this date. For the rest, it is hoped
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