wo results: "First, I wish to be
invited to all the concerts and musical circles in which you will
play your compositions, and to do this I must have your scores in my
possession; secondly, in possessing such treasures of art, I hope upon
my business journeys to make a large acquaintance among the lovers of
music, which I may turn to account in my manufacturing interests." Let
us hope that this commercial enthusiast found his calculations verified
by results.
Spohr soon gave two important new works to the musical world, the opera
of "Faust," and the cantata, "The Liberation of Germany," neither of
which, however, was immediately produced. Weber brought out "Faust" at
Prague in 1816, and the cantata was first performed at Franken-hausen in
1815, at a musical festival on the anniversary of the battle of Leipsic,
a battle which turned the scale of Napoleon's career. The same year
(1815) also witnessed the quarrel between Spohr and Count Palffy, which
resulted in the rupture of the former's engagement. Spohr determined to
make a long tour through Germany, Switzerland, and Italy. Before shaking
the dust of Vienna from his feet, he sold the Von Tost household at
auction, and the sum realized was even larger than what had been paid
for it, so vivid were the public curiosity and interest in view of the
strange bargain under which the furniture had been bought. On the 18th
of March, 1815, Louis Spohr, with his beloved Dorette and young family,
which had increased with truly German fecundity, bade farewell to
Vienna.
Two years of concert-giving and sight-seeing swiftly passed, to the
great augmentation of the German violinist's fame. On Spohr's return
home he was invited to become the opera and music director of the
Frankfort Theatre, and for two years more he labored arduously at this
post. He produced the opera of "Zemire and Azar" (founded on the fairy
fable of "Beauty and the Beast" ) during this period among other works,
and it was very enthusiastically received by the public. This opera was
afterward given in London, in English, with great success, though the
opinion of the critics was that it was too scientific for the English
taste.
IV.
Louis Spohr's first visit to England was in 1820, whither he went on
invitation of the Philharmonic Society. He gives an amusing account of
his first day in London, on the streets of which city he appeared in
a most brilliantly colored shawl waistcoat, and narrowly escaped being
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