h such force, that a spectator, unaccustomed to the sight, would
suppose, that they ran a risk of dislocating their necks. This was
attended with a smart clapping of the hands, and a kind of savage holla!
or shriek, not unlike what is sometimes practised in the comic dances on
our European theatres. They formed the triple semicircle, as the
preceding dancers had done; and a person, who advanced at the head on
one side of the semicircle, began by repeating something in a truly
musical recitative, which was delivered with an air so graceful, as
might put to the blush our most applauded performers. He was answered in
the same manner, by the person at the head of the opposite party. This
being repeated several times, the whole body, on one side, joined in the
responses to the whole corresponding body on the opposite side, as the
semicircle advanced to the front; and they finished, by singing and
dancing as they had begun.
These two last dances were performed with so much spirit, and so great
exactness, that they met with universal approbation. The native
spectators, who, no doubt, were perfect judges whether the several
performances were properly executed, could not withhold their applauses
at some particular parts; and even a stranger, who never saw the
diversion before, felt similar satisfaction, at the same instant. For
though, through the whole, the most strict concert was observed, some of
the gestures were so expressive, that it might be said, they spoke the
language that accompanied them; if we allow that there is any connection
between motion and sound. At the same time, it should be observed, that
though the music of the chorus, and that of the dancers, corresponded,
constant practice in these favourite amusements of our friends, seems to
have a great share in effecting the exact time they keep in their
performances. For we observed, that if any of them happened accidentally
to be interrupted, they never found the smallest difficulty in
recovering the proper place of the dance or song. And their perfect
discipline was in no instance more remarkable, than in the sudden
transitions they so dexterously made from the ruder exertions, and harsh
sounds, to the softest airs, and gentlest movements.[161]
[Footnote 161: In a former note, it was observed, that the songs and
dances of the Caroline Islanders, in the North Pacific, bear a great
resemblance to those of the inhabitants of Wateeoo. The remark may be
now extende
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