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f you do not give her to me under these conditions, I will take her away without any conditions. Eh, Betty?" Betty hung in the wind for a moment, then nodded slowly:-- "Yes." Pickering covered his face with his hands for a moment, then looked up to me and asked:-- "Would you do that, baron? Would you come down from your high estate to our lowly condition for the sake of my poor little girl?" "Yes, Pickering," I answered. Then after a moment's thought, he said: "I'll sell the Old Swan and go with you to France." Betty took my hand, then she grasped her father's, drew him down to her and kissed him. So Betty and I were married in the little chapel at the Southwark end of London Bridge, and off we went to our friends in France, where God blessed us and we were very happy. We had all been tried by the Touchstone of Fortune, and had won her Ladyship's smile! May God comfort those on whom she frowns! NOTE Baron Clyde seems to be the only writer of the period of Charles II who mentions the part taken by George Hamilton and Frances Jennings in the sale of the city of Dunkirk, but, of course, the particulars of that disgraceful affair would have been kept a secret from all save those who participated in it. It is said that Nell Gwynn, John Churchill, and Sarah Jennings were younger than Baron Clyde indicates. Therefore there are many discerning persons who hold that he was "idealizing" when he wrote of them being at court at the time Dunkirk was sold. There appears to be some ground for the criticism. But in all essential respects the baron's history is held, justly, to be true to facts and conditions, and that, after all, is the main thing. Exact truth is evasive; therefore the virtues of approximation are not to be deprecated. ***END OF THE PROJECT GUTENBERG EBOOK THE TOUCHSTONE OF FORTUNE*** ******* This file should be named 14242.txt or 14242.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/4/2/4/14242 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this licen
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