ng into life Hercules saw the two paths
open before him: of pleasure and of virtue.
"Insensible to the seductions of Nymphs and Bacchantes, the hero devotes
himself to the career of struggle and combat, at the end of which he
glimpses across the flames of the funeral pyre the reward of
immortality."
We can let our fancy play about the score and wonderfully hit an
intention of the poet. Yet that is often rather a self-flattery than a
real perception. In the small touches we may lose the greater beauty.
Here, after all, is the justification of the music. If the graphic
picture is added, a little, only, is gained. The main virtue of it lies
in our better grasp of the musical design.
In the muted strings, straying dreamily in pairs, is a vague line of the
motto,--a foreshadowing of the heroic idea, as are the soft calls of the
wind with wooing harp a first vision of delight.
[Music: _Allegro moderato_
(Strings)]
Now begins the main song in sturdy course of unmuted strings. The wood
soon join in the rehearsing. But it is not all easy deciphering. The
song wanders in gently agitated strings while the horns hold a solemn
phrase that but faintly resembles the motto.[A] Lesser phrases play
about the bigger in rising flight of aspiration, crowned at the height
with a ray of glad light.
[Footnote A: It is well to resist the vain search for a transnotation of
the story. And here we see a virtue of Saint-Saens himself, a national
trait of poise that saved him from losing the music in the picture. His
symphonic poems must be enjoyed in a kind of musical revery upon the
poetic subject. He disdained the rude graphic stroke, and used dramatic
means only where a musical charm was commingled.]
As the dream sinks slowly away, the stern motto is buried in quick
flashes of the tempting call. These are mere visions; now comes the
scene itself of temptation.
To ripples of harp the reed sings enchantingly in swaying rhythm; other
groups in new surprise of
[Music: (Flutes, oboe, clarinets and harp)]
scene usurp the melody with the languishing answer, until one Siren
breaks into an impassioned burst, while her sisters hold the dance.
Straight upon her vanished echoes shrieks the shrill pipe of war, with
trembling drum. We hear a yearning sigh of the Siren strain before it is
swept away in the tide and tumult of strife. Beneath the whirl and
motion, the flash and crash of arms, we have glimpses of the heroic
figure.
He
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