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O ye gods, protection send! And they run! and wetter still Grow the steps and grows the hall. Lord and master, hear me call! Ever seems the flood to fill. Ah, he's coming! see, Great is my dismay! Spirits raised by me Vainly would I lay! "To the side Of the room Hasten, broom, As of old! Spirits I have ne'er untied Save to act as they are told." In paragraphs are clearly pointed the episodes: the boy's delight at finding himself alone to conjure the spirits; the invocation to the water, recurring later as refrain (which in the French is not addressed to the spirit); then the insistent summons of the spirit in the broom; the latter's obedient course to the river and his oft-repeated fetching of the water; the boy's call to him to stop,--he has forgotten the formula; his terror over the impending flood; he threatens in his anguish to destroy the broom; he calls once more to stop; the repeated threat; he cleaves the spirit in two and rejoices; he despairs as two spirits are now adding to the flood; he invokes the master who returns; the master dismisses the broom to the corner. There is the touch of magic in the first harmonics of strings, and the sense of sorcery is always sustained in the strange harmonies.[A] [Footnote A: The flageolet tones of the strings seem wonderfully designed in their ghostly sound for such an aerial touch. Dukas uses them later in divided violins, violas and cellos, having thus a triad of harmonics doubled in the octave. The remaining instruments are: Piccolo, 2 flutes, 2 oboes, 2 clarinets, bass-clarinet, 3 bassoons, contra-bassoon (or contra-bass sarrusophon); 4 horns, 2 trumpets (often muted); 2 cornets-a-pistons; 3 trombones; 3 kettle-drums; harp; glockenspiel; big drum, cymbals and triangle.] After a mystic descent of eerie chords, a melodious cooing phrase begins in higher wood, echoed from one voice to the other, while the spirit-notes are still sounding. Suddenly dashes a stream of descending spray, met by another ascending; in the midst the first phrase is rapidly sounded (in muted trumpet). As suddenly the first solemn moment has returned, the phrase has grown in melody, while uncanny harmonies prevail. Amidst a new feverish rush a call rings [Music: (Wood and _pizz._ strings) _Vivace_ (Horns and trumpets)] loud and oft (i
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