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he ses. 'I just want to give this old chump one more lick with the mop and then we'll go.' "He peeped down the skylight and waited, but I kept quite quiet, with my back towards 'im. "'Come along,' ses Miss Butt. "'I'm coming,' he ses. 'Hi! You down there! When the cap'n comes back tell 'im that I'm taking Miss Butt to an aunt o' mine in the country. And tell'im that in a week or two he'll 'ave the largest and nicest piece of wedding-cake he 'as ever 'ad in his life. So long!' "'Good-bye, watchman,' ses the gal. "They moved off without another word--from them, I mean. I heard the wicket slam and then I 'eard a cab drive off over the stones. I couldn't believe it at first. I couldn't believe a gal with such beautiful blue eyes could be so hard-'earted, and for a long time I stood listening and hoping to 'ear the cab come back. Then I stepped up to the companion and tried to shift it with my shoulders. "I went back to the cabin at last, and arter lighting the lamp I 'ad another sup o' the skipper's whisky to clear my 'ead, and sat down to try and think wot tale I was to tell 'im. I sat for pretty near three hours without thinking of one, and then I 'eard the crew come on to the wharf. "They was a bit startled when they saw my 'ead at the skylight, and then they all started at the same time asking me wot I was doing. I told 'em to let me out fust and then I'd tell 'em, and one of 'em 'ad just stepped round to the companion when the skipper come on to the wharf and stepped aboard. He stooped down and peeped at me through the skylight as though he couldn't believe 'is eyesight, and then, arter sending the hands for'ard and telling 'em to stay there, wotever 'appened, he unlocked the companion and came down." End of the Project Gutenberg EBook of Keeping Watch, by W.W. Jacobs *** END OF THIS PROJECT GUTENBERG EBOOK KEEPING WATCH *** ***** This file should be named 12152.txt or 12152.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/1/5/12152/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules
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