angle is always found
placed between two others in all angular figures odd in number.
This tacitly gave us to understand that seven semidiameters are in
geometrical proportion, compass, and distance somewhat less than the
circumference of a circle, from the figure of which they are extracted;
that is to say, three whole parts, with an eighth and a half, a little
more, or a seventh and a half, a little less, according to the instructions
given us of old by Euclid, Aristotle, Archimedes, and others.
The first pillar, I mean that which faced the temple gate, was of azure,
sky-coloured sapphire.
The second, of hyacinth, a precious stone exactly of the colour of the
flower into which Ajax's choleric blood was transformed; the Greek letters
A I being seen on it in many places.
The third, an anachite diamond, as bright and glittering as lightning.
The fourth, a masculine ruby balas (peach-coloured) amethystizing, its
flame and lustre ending in violet or purple like an amethyst.
The fifth, an emerald, above five hundred and fifty times more precious
than that of Serapis in the labyrinth of the Egyptians, and more verdant
and shining than those that were fixed, instead of eyes, in the marble
lion's head near King Hermias's tomb.
The sixth, of agate, more admirable and various in the distinctions of its
veins, clouds, and colours than that which Pyrrhus, King of Epirus, so
mightily esteemed.
The seventh, of syenites, transparent, of the colour of a beryl and the
clear hue of Hymetian honey; and within it the moon was seen, such as we
see it in the sky, silent, full, new, and in the wane.
These stones were assigned to the seven heavenly planets by the ancient
Chaldaeans; and that the meanest capacities might be informed of this, just
at the central perpendicular line, on the chapter of the first pillar,
which was of sapphire, stood the image of Saturn in elutian (Motteux reads
'Eliacim.') lead, with his scythe in his hand, and at his feet a crane of
gold, very artfully enamelled, according to the native hue of the saturnine
bird.
On the second, which was of hyacinth, towards the left, Jupiter was seen in
jovetian brass, and on his breast an eagle of gold enamelled to the life.
On the third was Phoebus of the purest gold, and a white cock in his right
hand.
On the fourth was Mars in Corinthian brass, and a lion at his feet.
On the fifth was Venus in copper, the metal of which Aristonides made
Athamas's
|