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ong our roads. I have known our boys go to bed obediently and get up at night to run three miles to THE WHEATSHEAF, only to stand on the bench or traveller's-rest outside the window and look in at Charles Dump reciting, with just room enough in the crowd to point his finger, as his way was. He left a child, Mary Dump, who grew up to become lady's maid to Livia Fakenham, daughter of Curtis, the beauty of Hampshire, equalled by no one save her cousin Henrietta Fakenham, the daughter of Commodore Baldwin; and they were two different kinds of beauties, not to be compared, and different were their fortunes; for this lady was likened to the sun going down on a cloudy noon, and that lady to the moon riding through a stormy night. Livia was the young widow of Lord Duffield when she accepted the Earl of Fleetwood, and was his third countess, and again a widow at eight-and-twenty, and stepmother to young Croesus, the Earl of Fleetwood of my story. Mary Dump testifies to her kindness of heart to her dependents. If we are to speak of goodness, I am afraid there are other witnesses. I resent being warned that my time is short and that I have wasted much of it over 'the attractive Charles.' What I have done I have done with a purpose, and it must be a storyteller devoid of the rudiments of his art who can complain of my dwelling on Charles Dump, for the world to have a pause and pin its faith to him, which it would not do to a grander person--that is, as a peg. Wonderful events, however true they are, must be attached to something common and familiar, to make them credible. Charles Dump, I say, is like a front-page picture to a history of those old quiet yet exciting days in England, and when once you have seized him the whole period is alive to you, as it was to me in the delicious dulness I loved, that made us thirsty to hear of adventures and able to enjoy to the utmost every thing occurring. The man is no more attractive to me than a lump of clay. How could he be? But supposing I took up the lump and told you that there where I found it, that lump of clay had been rolled over and flung off by the left wheel of the prophet's Chariot of Fire before it mounted aloft and disappeared in the heavens above!--you would examine it and cherish it and have the scene present with you, you may be sure; and magnificent descriptions would not be one-half so persuasive. And that is what we call, in my profession, Art, if you please. So to
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