E
MORAL EFFECTS THAT MAY COME OF A BORROWED SHIRT
XXI. IN WHICH WE HAVE FURTHER GLIMPSES OF THE WONDROUS MECHANISM OF
OUR YOUNGER MAN
XXII. A RIGHT-MINDED GREAT LADY
XXIII. IN DAME GOSSIP'S VEIN
XXIV. A KIDNAPPING AND NO GREAT HARM
XXV. THE PHILOSOPHER MAN OF ACTION
XXVI. AFTER SOME FENCING THE DAME PASSES OUR GUARD
XXVII. WE DESCEND INTO A STEAMER'S ENGINE-ROOM
XXVIII. BY CONCESSIONS TO MISTRESS GOSSIP A FURTHER INTRUSION IS
AVERTED

BOOK 4.
XXIX. CARINTHIA IN WALES
XXX. REBECCA WYTHAN
XXXI. WE HAVE AGAIN TO DEAL WITH THE EXAMPLES OF OUR YOUNGER MAN
XXXII. IN WHICH WE SEE CARINTHIA PUT IN PRACTICE ONE OF HER OLD
FATHER'S LESSONS
XXXIII. A FRIGHTFUL DEBATE
XXXIV. A SURVEY OF THE RIDE OF THE WELSH CAVALIERS ESCORTING THE
COUNTESS OF FLEETWOOD TO KENTISH ESSLEMONT
XXXV. IN WHICH CERTAIN CHANGES MAY BE DISCERNED
XXXVI. BELOW THE SURFACE AND ABOVE
XXXVII. BETWEEN CARINTHIA AND HER LORD
XXXVIII. A DIP INTO THE SPRING'S WATERS

BOOK 5.
XXXIX. THE RED WARNING FROM A SON OF VAPOUR
XL. A RECORD OF MINOR INCIDENTS
XLI. IN WHICH THE FATES ARE SEEN AND A CHOICE OF THE REFUGES FROM
THEM
XLII. THE RETARDED COURTSHIP
XLIII. ON THE ROAD TO THE ACT OF PENANCE
XLIV. BETWEEN THE EARL; THE COUNTESS AND HER BROTHER, AND OF A SILVER
CROSS
XLV. CONTAINS A RECORD OF WHAT WAS FEARED, WHAT WAS HOPED, AND WHAT
HAPPENED
XLVI. A CHAPTER OF UNDERCURRENTS AND SOME SURFACE FLASHES
XLVII. THE LAST: WITH A CONCLUDING WORD BY THE DAME

CHAPTER I

ENTER DAME GOSSIP AS CHORUS

Everybody has heard of the beautiful Countess of Cressett, who was one of
the lights of this country at the time when crowned heads were running
over Europe, crying out for charity's sake to be amused after their
tiresome work of slaughter: and you know what a dread they have of
moping. She was famous for her fun and high spirits besides her good
looks, which you may judge of for yourself on a walk down most of our
great noblemen's collections of pictures in England, where you will
behold her as the goddess Diana fitting an arrow to a bow; and elsewhere
an Amazon holding a spear; or a lady with dogs, in the costume of the
day; and in one place she is a nymph, if not Diana herself, gazing at her
naked feet before her attendants loosen her tunic for her to take the
bath, and her hounds