ion of past anguish, is baneful to
the soul. In Rome Cecilia's vision of her track to Rome was of a run of
fire over a heath. She could scarcely feel common pleasure in Rome. It
seemed burnt out.

Flung back on herself, she was condemned to undergo the bitter torment
she had flown from: jealous love, and reproachful; and a shame in it
like nothing she had yet experienced. Previous pains were but Summer
lightnings, passing shadows. She could have believed in sorcery: the man
had eaten her heart!

A disposition to mocking humour, foreign to her nature, gave her the
notion of being off her feet, in the claws of a fabulous bird. It served
to veil her dulness. An ultra-English family in Rome, composed, shocking
to relate, of a baronet banker and his wife, two faint-faced girls, and
a young gentleman of our country, once perhaps a light-limbed boy, chose
to be followed by their footman in the melancholy pomp of state livery.
Wherever she encountered them Cecilia talked Nevil Beauchamp. Even Mr.
Tuckham perceived it. She was extremely uncharitable: she extended her
ungenerous criticism to the institution of the footman: England, and the
English, were lashed.

'These people are caricatures,' Tuckham said, in apology for poor
England burlesqued abroad. 'You must not generalize on them. Footmen are
footmen all the world over. The cardinals have a fine set of footmen.'

'They are at home. Those English sow contempt of us all over Europe.
We cannot but be despised. One comes abroad foredoomed to share the
sentiment. This is your middle-class! What society can they move in,
that sanctions a vulgarity so perplexing? They have the air of ornaments
on a cottager's parlour mantelpiece.'

Tuckham laughed. 'Something of that,' he said.

'Evidently they seek distinction, and they have it, of that kind,' she
continued. 'It is not wonderful that we have so much satirical writing
in England, with such objects of satire. It may be as little wonderful
that the satire has no effect. Immense wealth and native obtuseness
combine to disfigure us with this aspect of overripeness, not to say
monstrosity. I fall in love with the poor, and think they have a cause
to be pleaded, when I look at those people. We scoff at the vanity of
the French, but it is a graceful vanity; pardonable compared with ours.'

'I've read all that a hundred times,' quoth Tuckham bluntly.

'So have I. I speak of it because I see it. We scoff at the simplicity
of the G