ho sat to me. While I
had his portrait on exhibition in my studio an acquaintance of his
came in to look at it. 'Bless me,' says he, 'does he really look
like that?" I told him it was considered a faithful likeness. 'I
never noticed that expression about his eyes before,' said he; 'I
think I'll drop downtown and change my bank account.' He did drop
down, but the bank account was gone and so was Mr. Banker.

"It wasn't long till they put me out of business. People don't
want their secret meannesses shown up in a picture. They can smile
and twist their own faces and deceive you, but the picture can't.
I couldn't get an order for another picture, and I had to give
up. I worked as a newspaper artist for a while, and then for a
lithographer, but my work with them got me into the same trouble. If
I drew from a photograph my drawing showed up characteristics and
expressions that you couldn't find in the photo, but I guess they
were in the original, all right. The customers raised lively rows,
especially the women, and I never could hold a job long. So I began
to rest my weary head upon the breast of Old Booze for comfort. And
pretty soon I was in the free-bed line and doing oral fiction for
hand-outs among the food bazaars. Does the truthful statement weary
thee, O Caliph? I can turn on the Wall Street disaster stop if you
prefer, but that requires a tear, and I'm afraid I can't hustle one
up after that good dinner."

"No, no," said Chalmers, earnestly, "you interest me very much. Did
all of your portraits reveal some unpleasant trait, or were there
some that did not suffer from the ordeal of your peculiar brush?"

"Some? Yes," said Plumer. "Children generally, a good many women and
a sufficient number of men. All people aren't bad, you know. When
they were all right the pictures were all right. As I said, I don't
explain it, but I'm telling you facts."

On Chalmers's writing-table lay the photograph that he had received
that day in the foreign mail. Ten minutes later he had Plumer at
work making a sketch from it in pastels. At the end of an hour the
artist rose and stretched wearily.

"It's done," he yawned. "You'll excuse me for being so long. I got
interested in the job. Lordy! but I'm tired. No bed last night, you
know. Guess it'll have to be good night now, O Commander of the
Faithful!"

Chalmers went as far as the door with him and slipped some bills
into his hand.

"Oh! I'll take 'em," said Plumer. "All that's