avesdropping, having seen the cross-purposes, the
bribings, the windings in the dark, he is not surprised if those who
were systematically deceived did not always arrive at correct
conclusions."

The fascination of such a quest is readily conceivable. A drama with real
characters, and the spectator at liberty to go behind the scenes and look
upon and talk with the kings and queens between the acts; to examine the
scenery, to handle the properties, to study the "make up" of the imposing
personages of full-dress histories; to deal with them all as Thackeray
has done with the Grand Monarque in one of his caustic sketches,--this
would be as exciting, one might suppose, as to sit through a play one
knows by heart at Drury Lane or the Theatre Francais, and might furnish
occupation enough to the curious idler who was only in search of
entertainment. The mechanical obstacles of half-illegible manuscript, of
antiquated forms of speech, to say nothing of the intentional obscurities
of diplomatic correspondence, stand, however, in the way of all but the
resolute and unwearied scholar. These difficulties, in all their complex
obstinacy, had been met and overcome by the heroic efforts, the
concentrated devotion, of the new laborer in the unbroken fields of
secret history.

Without stopping to take breath, as it were,--for his was a task 'de
longue haleine,'--he proceeded to his second great undertaking.

The first portion--consisting of two volumes--of the "History of the
United Netherlands" was published in the year 1860. It maintained and
increased the reputation he had already gained by his first history.

"The London Quarterly Review" devoted a long article to it, beginning
with this handsome tribute to his earlier and later volumes:--

"Mr. Motley's 'History of the Rise of the Dutch Republic' is already
known and valued for the grasp of mind which it displays, for the
earnest and manly spirit in which he has communicated the results of
deep research and careful reflection. Again he appears before us,
rich with the spoils of time, to tell the story of the United
Netherlands from the time of William the Silent to the end of the
eventful year of the Spanish Armada, and we still find him in every
way worthy of this 'great argument.' Indeed, it seems to us that he
proceeds with an increased facility of style, and with a more
complete and easy command over his materials. These materials are