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overs, not women worshippers; and they are not worried by any doubts as to which sex shall rule the State, and which stop at home and mind the children. The German women are not politicians and mayors and county councillors; they are housewives. All classes of Germans are scrupulously polite to one another; but this is the result of mutual respect, not of snobbery. The tramcar conductor expects to be treated with precisely the same courtesy that he tenders. The Count raises his hat to the shopkeeper, and expects the shopkeeper to raise his hat to him. The Germans are hearty eaters; but they are not, like the French, fussy and finicky over their food. Their stomach is not their God; and the cook, with his sauces and _pates_ and _ragouts_, is not their High Priest. So long as the dish is wholesome, and there is sufficient of it, they are satisfied. In the mere sensuous arts of painting and sculpture the Germans are poor, in the ennobling arts of literature and music they are great; and this fact provides a key to their character. They are a simple, earnest, homely, genuine people. They do not laugh much; but when they do, they laugh deep down. They are slow, but so is a deep river. A placid look generally rests upon their heavy features; but sometimes they frown, and then they look somewhat grim. A visit to Germany is a tonic to an Englishman. We English are always sneering at ourselves, and patriotism in England is regarded as a stamp of vulgarity. The Germans, on the other hand, believe in themselves, and respect themselves. The world for them is not played out. Their country to them is still the "Fatherland." They look straight before them like a people who see a great future in front of them, and are not afraid to go forward to fulfil it. GOOD-BYE, SIR (OR MADAM). ***END OF THE PROJECT GUTENBERG EBOOK DIARY OF A PILGRIMAGE*** ******* This file should be named 2024.txt or 2024.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/0/2/2024 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set fo
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