FREE BOOKS

Author's List




PREV.   NEXT  
|<   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87  
88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>  
ic chant of the chorus. Mellowed by the distance, the wailing cadence of the plaintive songs, mingled with the shrill Haydnistic strains of the orchestra, falls with a mournful sweetness on our ears. We ourselves saw the play yesterday, and we are now discussing it. I am explaining to B. the difficulty I experience in writing an account of it for my diary. I tell him that I really do not know what to say about it. He smokes for a while in silence, and then, taking the pipe from his lips, he says: "Does it matter very much what you say about it?" I find much relief in that thought. It at once lifts from my shoulders the oppressive feeling of responsibility that was weighing me down. After all, what does it matter what I say? What does it matter what any of us says about anything? Nobody takes much notice of it, luckily for everybody. This reflection must be of great comfort to editors and critics. A conscientious man who really felt that his words would carry weight and influence with them would be almost afraid to speak at all. It is the man who knows that it will not make an ounce of difference to anyone what he says, that can grow eloquent and vehement and positive. It will not make any difference to anybody or anything what I say about the Ober-Ammergau Passion Play. So I shall just say what I want to. But what do I want to say? What can I say that has not been said, and said much better, already? (An author must always pretend to think that every other author writes better than he himself does. He does not really think so, you know, but it looks well to talk as though he did.) What can I say that the reader does not know, or that, not knowing, he cares to know? It is easy enough to talk about nothing, like I have been doing in this diary hitherto. It is when one is confronted with the task of writing about _some_thing, that one wishes one were a respectable well-to-do sweep--a sweep with a comfortable business of his own, and a pony--instead of an author. B. says: "Well, why not begin by describing Ober-Ammergau." I say it has been described so often. He says: "So has the Oxford and Cambridge Boat Race and the Derby Day, but people go on describing them all the same, and apparently find other people to read their descriptions. Say that the little village, clustered round its mosque-domed church, nestles in the centre of a valley, surrounded by great fir-robed hills, which stand, w
PREV.   NEXT  
|<   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87  
88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>  



Top keywords:

matter

 

author

 

Ammergau

 
people
 

writing

 

difference

 

describing

 

knowing

 
pretend
 

writes


reader

 
nestles
 

centre

 
valley
 

Oxford

 

Cambridge

 

church

 
clustered
 

village

 

apparently


descriptions

 
surrounded
 

wishes

 

mosque

 

confronted

 

hitherto

 
respectable
 

comfortable

 
business
 

explaining


difficulty

 

experience

 

discussing

 

yesterday

 
account
 
taking
 
silence
 

smokes

 

wailing

 

cadence


plaintive

 

distance

 
Mellowed
 

chorus

 

mingled

 

shrill

 
sweetness
 

mournful

 

Haydnistic

 

strains