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The Project Gutenberg eBook, The Dawn of a To-morrow, by Frances Hodgson Burnett, Illustrated by F. C. Yohn This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Dawn of a To-morrow Author: Frances Hodgson Burnett Release Date: March, 1996 [eBook #460] Most recently updated: February 5, 2005 Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE DAWN OF A TO-MORROW*** E-text prepared by Charles Keller with OmniPage Professional OCR software donated by Caere Corporation Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 460-h.htm or 460-h.zip: (http://www.gutenberg.org/dirs/4/6/460/460-h/460-h.htm) or (http://www.gutenberg.org/dirs/4/6/460/460-h.zip) THE DAWN OF A TO-MORROW by FRANCES HODGSON BURNETT I There are always two ways of looking at a thing, frequently there are six or seven; but two ways of looking at a London fog are quite enough. When it is thick and yellow in the streets and stings a man's throat and lungs as he breathes it, an awakening in the early morning is either an unearthly and grewsome, or a mysteriously enclosing, secluding, and comfortable thing. If one awakens in a healthy body, and with a clear brain rested by normal sleep and retaining memories of a normally agreeable yesterday, one may lie watching the housemaid building the fire; and after she has swept the hearth and put things in order, lie watching the flames of the blazing and crackling wood catch the coals and set them blazing also, and dancing merrily and filling corners with a glow; and in so lying and realizing that leaping light and warmth and a soft bed are good things, one may turn over on one's back, stretching arms and legs luxuriously, drawing deep breaths and smiling at a knowledge of the fog outside which makes half-past eight o'clock on a December morning as dark as twelve o'clock on a December night. Under such conditions the soft, thick, yellow gloom has its picturesque and even humorous aspect. One feels enclosed by it at once fantastically and cosily, and is inclined to revel in imaginings of the picture out
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