FREE BOOKS

Author's List




PREV.   NEXT  
|<   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93  
94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   >>   >|  
the same Colour, and degree of Colour from one End of this Line to the other. I delineated therefore in a Paper the Perimeter of the Spectrum FAP GMT, and in trying the third Experiment of the first Part of this Book, I held the Paper so that the Spectrum might fall upon this delineated Figure, and agree with it exactly, whilst an Assistant, whose Eyes for distinguishing Colours were more critical than mine, did by Right Lines [Greek: ab, gd, ez,] &c. drawn cross the Spectrum, note the Confines of the Colours, that is of the red M[Greek: ab]F, of the orange [Greek: agdb], of the yellow [Greek: gezd], of the green [Greek: eethz], of the blue [Greek: eikth], of the indico [Greek: ilmk], and of the violet [Greek: l]GA[Greek: m]. And this Operation being divers times repeated both in the same, and in several Papers, I found that the Observations agreed well enough with one another, and that the Rectilinear Sides MG and FA were by the said cross Lines divided after the manner of a Musical Chord. Let GM be produced to X, that MX may be equal to GM, and conceive GX, [Greek: l]X, [Greek: i]X, [Greek: e]X, [Greek: e]X, [Greek: g]X, [Greek: a]X, MX, to be in proportion to one another, as the Numbers, 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2, and so to represent the Chords of the Key, and of a Tone, a third Minor, a fourth, a fifth, a sixth Major, a seventh and an eighth above that Key: And the Intervals M[Greek: a], [Greek: ag], [Greek: ge], [Greek: ee], [Greek: ei], [Greek: il], and [Greek: l]G, will be the Spaces which the several Colours (red, orange, yellow, green, blue, indigo, violet) take up. [Illustration: FIG. 4.] [Illustration: FIG. 5.] Now these Intervals or Spaces subtending the Differences of the Refractions of the Rays going to the Limits of those Colours, that is, to the Points M, [Greek: a], [Greek: g], [Greek: e], [Greek: e], [Greek: i], [Greek: l], G, may without any sensible Error be accounted proportional to the Differences of the Sines of Refraction of those Rays having one common Sine of Incidence, and therefore since the common Sine of Incidence of the most and least refrangible Rays out of Glass into Air was (by a Method described above) found in proportion to their Sines of Refraction, as 50 to 77 and 78, divide the Difference between the Sines of Refraction 77 and 78, as the Line GM is divided by those Intervals, and you will have 77, 77-1/8, 77-1/5, 77-1/3, 77-1/2, 77-2/3, 77-7/9, 78, the Sines of Re
PREV.   NEXT  
|<   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93  
94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   >>   >|  



Top keywords:

Colours

 

Intervals

 

Refraction

 

Spectrum

 

divided

 

violet

 

Illustration

 
orange
 

yellow

 

Differences


Spaces

 

proportion

 

delineated

 

Colour

 

Incidence

 

common

 
represent
 

fourth

 

seventh

 

eighth


Chords

 

Limits

 

Method

 

refrangible

 

divide

 

Difference

 
subtending
 

Refractions

 

indigo

 

Points


accounted

 

proportional

 

distinguishing

 

whilst

 

Assistant

 

critical

 

Perimeter

 

degree

 
Experiment
 

Figure


Confines
 
Rectilinear
 

manner

 
Musical
 

conceive

 
Numbers
 

produced

 

agreed

 

Observations

 

indico