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play of light and color on the picturesque hills and mountains of the Umbrian country; the gray-green gleam of olive orchards and the silver threads of winding streams; the towers and ruins and castles of a dozen towns and villages that crown the slopes, and the violet shadows of deepening twilight, with Assisi bathed in a splendor of rose and gold,--all combine to make this an ever-changing panorama for the poet and painter. No journey in Italy is quite like that to the lovely Umbrian valley and its Jerusalem, Assisi, the shrine which, with the single exception of Rome, is the special place of pilgrimage for the entire religious world. Perugia offers the charm of art, and attracts the visitor, also, by an exceptional degree of modern comfort and convenience; but Assisi is the shrine before which he kneels, where the footsteps of saints who have knelt in prayer make holy ground, and where he realizes anew the consecration of faith and sacrifice. The very air is filled with divine messages, and in lowly listening he will hear, again, those wonderful and thrilling words of St. Francis:-- "By the holy love which is in God I pray all to put aside every obstacle, every care, every anxiety, that they may be able to consecrate themselves entirely to serve, love, and honor the Lord God, with a pure heart and a sincere purpose, which is what He asks above all things." _White phantom city, whose untrodden streets Are rivers, and whose pavements are the shifting Shadows of palaces and strips of sky; I wait to see thee vanish like the fleets Seen in mirage, or towers of clouds uplifting In air their unsubstantial masonry._ LONGFELLOW. _Fair as the palace builded for Aladdin, Yonder St. Mark uplifts its sculptured splendor-- Intricate fretwork, Byzantine mosaic, Color on color, column upon column, Barbaric, wonderful, a thing to kneel to! Over the portal stand the four gilt horses, Gilt hoof in air, and wide distended nostril, Fiery, untamed, as in the days of Nero. Skyward, a cloud of domes and spires and crosses; Earthward, black shadows flung from jutting stonework. High over all the slender Campanile Quivers, and seems a falling shaft of silver._ THOMAS BAILEY ALDRICH. _As one who parts from Life's familiar shore, Looks his last look in
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