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deu cybas joye et honneur, Puis que les cielz de la paix s'esiouyssent, Puis que les cielz de la paix s'esiouyssent.] NOTE.--_For the benefit of those not learned in Sixteenth-Century Music, it may be interesting to hint that the melody is written here for the Second Soprano, and to add, for their encouragement, that the experiment of performing this Madrigal, unaccompanied, with two ladies, and two male voices in the Alto parts, proved perfectly successful, thanks to the science of Mr Fuller-Maitland and the goodwill of the singers._ [Illustration: VIEW OF ROUEN, FROM THE ENGRAVING BY MERIAN IN 1620] [Illustration: THE COMMERCE OF ROUEN, FROM THE BAS-RELIEF BY CONSTON IN THE BOURSE] CHAPTER XIV _Literature and Commerce_ Rouen est ville bien marchande C'est a cause de la mer grande Et est ce semble sans doutance Quasi la meilleure de France. Ouy fameuse cite c'est toy qui prens la peine D'aller chercher bien loin l'ambre, la porcelaine, Le sucre, la muscade, et tant d'excellents vins.... ... Soye, oueate, tabac, draps de laine, poisson, Bois, bleds, sel, bescars, tout luy vient a foison. Such popular festivals as that I have just described upon Ascension Day are of very ancient origin, even if they do not date back to that earliest "Fete aux Normands," whose institution you will remember in 1070. Two years afterwards began the Confrerie de la Vierge to which Pierre Dare, Lieutenant-General for the King, gave fresh lustre when he was elected its Master in 1486. Though older poems (like that of Robert Wace) are connected with the Confrerie, to him is due the beginning of those "Palinods" sung in honour of the Virgin in the Church of St. Jean des Pres, which were called the "Puy de Conception," like the Puy d'Amour of the Provencal troubadours. The name probably originated in the refrain which ran through all the various metres allowed in the poems which were sent in for competition, as Pierre Grognet describes in 1533-- "On y presente les rondeaulx Beaulx pallinotz et chans royaulx Et sappelle celle journee La feste du Puy honoree." In these rhymes are preserved just those details of the people's life for which we have been looking. Great events and mighty personages in the world outside are passed unnoticed. The important trivialities of the householder's existence are the
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