FREE BOOKS

Author's List




PREV.   NEXT  
|<   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152  
153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   >>   >|  
al diffuse and inconsequent in his work. Drawing wonderful and lovely Guggums one after another, each one a fresh charm, each one stamped with immortality, and his picture never advancing. However, he is at the wall and I am to get him a white calf and a cart to paint here; would he but study the Golden One a little more. Poor Gabriello!" In Elizabeth Eleanor's manner there was a morbid languor and dreaminess, put on, some said, for her lover like a Greek gown, and surely encouraged by him and pictured in his Dantesque creations. Always and forever for him she was the Beata Beatrix. His days were consumed in writing poems to her or painting her, and if they were separated for a single day he wrote her a letter, and demanded that she should write one in return, to which we once hear of her gently demurring. She, however, took lessons in drawing, and often while posing would work with her pencil and paper. Ruskin was so pleased with her work that he offered to buy everything she did, and finally a bargain was struck and he paid her one hundred pounds a year and took everything she drew. Possibly this does not so much prove the worth of her work as the generosity of Ruskin. The dressmaker's shop had been able to get along without its lovely model, and art had been the gainer. At one time a slight cloud appeared on the horizon: another "find" had been located. Rossetti saw her at the theater, ascertained her name and called on her the next day and asked for sittings. Her name was Miss Burden. She was very much like Miss Siddal, only her face was pale and her hair wavy and black. She was statuesque, picturesque, of good family, and had a wondrous poise. Rossetti straightway sent for William Morris to come and admire her. William Morris came, and married her in what Rossetti resentfully called "an unbecoming and insufficiently short space of time." For some months there was a marked coldness between Morris and Rossetti, but if Miss Siddal was ever disturbed by the advent of Miss Burden we do not know it. Whistler has said that it was Mrs. Morris who gave immortality to the Preraphaelites by supplying them stained-glass attitudes. She posed as Saint Michael, Gabriel, and Saint John the Beloved, and did service for the types that required a little more sturdiness than Miss Siddal could supply. The Burne-Jones dream-women are very largely composite studies of Miss Siddal and Mrs. Morris; as for Rossetti, he painted t
PREV.   NEXT  
|<   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152  
153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   >>   >|  



Top keywords:
Rossetti
 

Morris

 

Siddal

 
Burden
 

called

 

William

 

Ruskin

 

lovely

 

immortality

 

family


wondrous

 
straightway
 

picturesque

 
statuesque
 
slight
 

Drawing

 

resentfully

 

stamped

 

married

 

admire


wonderful

 

sittings

 

ascertained

 

located

 

theater

 
horizon
 

unbecoming

 

Guggums

 

appeared

 

service


required

 

sturdiness

 
Beloved
 

Michael

 

Gabriel

 

supply

 

composite

 

studies

 

painted

 

largely


attitudes
 
disturbed
 

advent

 

coldness

 

marked

 
months
 

Preraphaelites

 
supplying
 
stained
 

inconsequent