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on the circumstance because it prompted an idea which suddenly set me to laughing. Genevieve looked at me in alarm. "What in the world!" she marvelled, for the silence had been very sedate. "Little girl," I at last enlightened her, "it will pay you to go with me when we leave here--to the Central Station. There 's something I want us to enjoy together; it will compensate for a deal of your late trouble and anxiety." "What is it?" "I want to hand Alexander Burke these papers, tell him they 're what was hidden in the table--then quietly watch him while he reads." I meant to do it, too. But Genevieve failed to enter into the spirit of the suggestion. "Mercy!" she shuddered. "I don't want to gloat over the poor wretch." I said no more about it, but--well, the result was all that I had anticipated. Genevieve reminded me that we should be thankful for having been relieved from a final perplexity. "I don't understand," said I. "Why, we haven't the ruby to dispose of; that would have puzzled even you." "I don't know about that. Royal gave it to me. I see where I stand to lose a fortune. Five hundred thousand--_whew_!" Suddenly she snuggled closer and clasped her hands tightly upon my shoulder. Her hair teased my cheek, and the delicate perfume of it made me light-headed. Twisting her pretty head sideways, she flashed an arch look at me from under her lashes, then glanced quickly away again. Blue eyes and long dark lashes are a potently disturbing combination. "Well," she sighed, "the Page case may have cost you a fortune, but--it gave you _me_. And _I_--for one--am very content and happy, Mr. Swift." THE END End of Project Gutenberg's The Paternoster Ruby, by Charles Edmonds Walk *** END OF THIS PROJECT GUTENBERG EBOOK THE PATERNOSTER RUBY *** ***** This file should be named 22212.txt or 22212.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/2/1/22212/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, app
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