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"form" as its ultimate life, and yet as having no kind of "matter" or "energy" or "form." The soul must be regarded as "something" which is living and real and concrete, and which has a definite existence in time and space, and which is subject to annihilation; but the stuff out of which the soul is made is not capable of analysis, and can only be accepted by such an act of faith as that which believes in "the impossible." The fact that the philosophy of the complex vision assumes as its only axiom the concrete reality of the "soul" within us which is so difficult to touch or handle or describe and yet which we feel to be so much more real than our physical body, justifies us in making an experiment which to many minds will seem uncalled for and ridiculous. I mean the experiment of trying to visualize, by an arbitrary exercise of fancy, the sort of form or shape which this formless and shapeless thing may be imagined as possessing. Metaphysical discussion tends so quickly to become thin and abstract and unreal; words themselves tend so quickly to become "dead wood" rather than living branches and leaves; that it seems advisable, from the point of view of getting nearer reality, to make use sometimes of a pictorial image, even though such an image be crudely and clumsily drawn. Pictorial images are always treacherous and dangerous; but, as I have hinted, it is sometimes necessary, considering the intricate and delicately balanced character of man's complex vision, to make a guarded and cautious use of them, so as to arrive at truth "sideways," so to speak, and indirectly. One of the curious psychological facts, in connection with the various ways in which various minds function, is the fact that when in these days we seek to visualize, in some pictorial manner, our ultimate view of life, the images which are called up are geometrical or chemical rather than anthropomorphic. It is probable that even the most rational and logical among us as soon as he begins to philosophize at all is compelled by the necessity of things to form in the mind some vague pictorial representation answering to his conception of the universe. The real inherent nature of such a philosophy would be probably understood and appreciated far better, both by the philosopher himself and by his friends, if this vague pictorial projection could be actually represented, in words or in a picture. Most minds see the universe of their mental co
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