FREE BOOKS

Author's List




PREV.   NEXT  
|<   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112  
113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   >>   >|  
rness; he follows her more humbly, and has produced to us more of her simplicity; we feel his appeal to be more earnest: it is the crying out of the man, with none of the strut of the actor. Let us have the mind and the mind's-workings, not the remains of earnest thought which has been frittered away by a long dreary course of preparatory study, by which all life has been evaporated. Never forget that there is in the wide river of nature something which every body who has a rod and line may catch, precious things which every one may dive for. It need not be feared that this course of education would lead to a repetition of the toe-trippings of the earliest Italian school, a sneer which is manifestly unfair; for this error, as well as several others of a similar kind, was not the result of blindness or stupidity, but of the simple ignorance of what had not been applied to the service of painting at their time. It cannot be shown that they were incorrect in expression, false in drawing, or unnatural in what is called composition. On the contrary, it is demonstrable that they exceeded all others in these particulars, that they partook less of coarseness and of conventional sentiment than any school which succeeded them, and that they looked more to nature; in fact, were more true, and less artificial. That their subjects were generally of a melancholy cast is acknowledged, which was an accident resulting from the positions their pictures were destined to occupy. No man ever complained that the Scriptures were morbid in their tendency because they treat of serious and earnest subjects: then why of the pictures which represent such? A certain gaunt length and slenderness have also been commented upon most severely; as if the Italians of the fourteenth century were as so many dray horses, and the artist were blamed for not following his model. The consequence of this direction of taste is that we have life-guardsmen and pugilists taken as models for kings, gentlemen, and philosophers. The writer was once in a studio where a man, six feet two inches in height, with atlantean shoulders, was sitting for King Alfred. That there is no greater absurdity than this will be perceived by any one that has ever read the description of the person of the king given by his historian and friend Asser. The sciences have become almost exact within the present century. Geology and chemistry are almost re-instituted. The first has been n
PREV.   NEXT  
|<   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112  
113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   >>   >|  



Top keywords:

earnest

 
nature
 

school

 

century

 

pictures

 

subjects

 

commented

 

resulting

 

accident

 

slenderness


Italians

 

fourteenth

 

severely

 

horses

 

occupy

 

tendency

 

complained

 

Scriptures

 

morbid

 

acknowledged


length

 

represent

 

destined

 

positions

 

models

 

perceived

 

description

 

person

 

absurdity

 

Alfred


greater

 

Geology

 
present
 
sciences
 

chemistry

 

historian

 

friend

 

sitting

 

shoulders

 

guardsmen


pugilists

 

direction

 

consequence

 

blamed

 

instituted

 

gentlemen

 

philosophers

 

inches

 

height

 
atlantean