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wn. But when she saw Karen's wistful look, she turned quickly to her friends and said, "Let me, instead, choose the queen; and I will choose Karen Klasson. I want this to be the happiest day of all the year for her." "One queen is as good as another," said Nils Jorn cheerfully; so they led Karen back to the May-pole and she was made queen of the festival and crowned with green leaves. After a few minutes Gerda found a seat beside her under the canopy of birch boughs, and the two little girls watched the dancing together. Everyone was happy and jolly. The fiddler swept his bow across the strings until they sang their gayest polka. The accordion puffed and wheezed in its attempt to follow the merry tune. The platform was crowded with dancers, whirling and stamping, turning and swinging, laughing and singing. The tall pole quivered and shook until all the streamers rustled, all the flags fluttered, and all the birch leaves murmured to each other that summer had come and the sun god had conquered the frost giants. "This is truly the happiest day of all my life," Karen said; "and it is you, Gerda, who have made it so. I was lame and lonely in the cold Northland, and you came, bringing me health and happiness." "Mother says I must never forget that I was named for the goddess who shed light and sunshine over the world," replied Gerda soberly. Then she drew her friend closer and whispered, "But think, Karen, of all the good times we shall have next year, when you can go to school with me, and we can share all our happiness with each other;" and she clapped her hands and whirled Karen off into the crowd of dancers,--the gayest and happiest of them all. End of Project Gutenberg's Gerda in Sweden, by Etta Blaisdell McDonald *** END OF THIS PROJECT GUTENBERG EBOOK GERDA IN SWEDEN *** ***** This file should be named 13758.txt or 13758.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/7/5/13758/ Produced by Curtis Weyant and the PG Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the
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